A Select Bibliography
EEM Index   Transition to the Renaissance   The Age of Dunstable   Henry VII & Henry VIII   The Reformation   Elizabethan & Jacobean   Charles I & Charles II   James II   
Last revisions made 2014-03-01 17:39

 

A

 

Anonymous [John Case?], The Praise of Musicke (1586;1980 rep.); [STC 4757]

[A.B.] (Philo-Mus A.B.), Synopsis of vocal musick containing the rudiments of singing rightly any harmonical song, delivered in a method so solid, short and plain, that this ... and easily, than ever heretofore (1680)

[A.B.], Synopsis of Vocal Musick (1680), (ed.) Herissone, R., (2006)

*

[A.H.] {Henry Hawkins?], Parthenia Sacre (1633)

Abbey, H., An Historical and Stylistic Chronology of the English Fancy: Music for Viol Consorts, Ph.D.(thesis), University of Utah, (1974)

Abbott, D., and Segerman, E., "The Cittern in England before 1700", Lute Society (UK) Journal 17,1975

______, "Strings in the 16th and 17th Centuries", Galpin Society Journal 27,1974

Abraham, G., The New Oxford History of Music IV: The Age of Humanism 1540-1630 (1968)

______, (ed.), The Age of Humanism 1540-1630 (1968)

______, (ed.), Concert Music 1630-1750 [Oxford History of Music VI] (1986)

Abu-Lughod, J.L., Before European Hegemony: The World System AD 1250-1350 (1989

Adams, M.H., The Development of Henry Purcell's Musical Style, Ph.D.(thesis), University of Southampton, (1984)

Adams, R.L., The Development of a Keyboard Idiom during the English Renaissance, Ph.D.(thesis), Washington University, (1960)

Addleshaw, G.W.D. and Etchells, F., The Architectural Setting of Anglican Worship (1956)

Adler, G., Handbuch der Musikgeschichte [various editions]

Adson, John, Courtly Masquiring Ayres (1621)

Akehurst, F.R.P., and Davis, J.M.A., A Handbook of the Troubadours (1995)

Akrigg, G.P.V., Jacobean Pageant; or, The Court of James 1 (1962)

Albertyn, E., "The Hanover orchestral repertory, 1672-1714", Early Music 33,2005

Alburger, M.A., "The Fydill in Fist: Bowed instruments from the "Mary Rose" [Ship], Galpin Society Journal 53,2000

Aldrich, K.R., The Italian Influence on Dance in the Court of Elizabeth I, Master's (thesis), University of Oregon, (1979)

Alette, C., Theories of Rhythm, Ph.D.(thesis), University of Rochester (1951)

Alexander, J., The English Lute Duet, 1570-1610, MA (thesis), University of Nottingham, (1977)

Alker, H., Blockenloten-Bibliograpgie (1960-61;1984)[2 vols.]

Allan, D.A., A Dual study of English lute repertoire of the Renaissance period and English guitar repertoire of the twentieth century MMus(thesis), University of Adelaide, (1980)

Allen, C. , Aspects of the music of Henry Purcell, MMus(thesis), University of Newcastle, [In process]

Allaire, G.G., the Theory of Hexachord, Solminization and the Modal System [n.p.] (1972)

Allinson, D.J., The Rhetoric of Devotion: Some Neglected Elements in the Context of the Early Tudor Motet, Ph.D.(thesis), University of Exeter, (1999)

Allison, Richard,[ ], The Psalmes of David in Meter (1599)

______, An Howres Recreation in Musicke (1606)

Allmand, C., The Hundred Years War; England and France ar War (2001)

*

Alpin, J.J., Structural Devices in Vernacular Music of the English Church, c. 1545-1570, Ph.D.(thesis), Reading University, (1977)

______, "A Group of English Magnificats'upon the Farurden'", Soundings 7,1978

______, "The Survival of Plainsong in Anglican Music: Some Early English Te-Deum Settings", Journal of the American Music Society 32,1979

______, "The Origins of John Day's'Certain Notes'", Music and Letters 62,1981

An Old St. Andrews Music Book [Cod. Helmst,628] (1931)

Anders, H.R.D., Shakespeare's Books (1904;1965)

Anderson, H., Early English Music (1920)

Anderson, N., Baroque Music: From Monteverdi to Handel (1994)

Anderson, R.E., Richard Alison's Psalter (1599) and Devotional Music in England to 1640, Ph.D.(thesis), University of Iowa, (1974)

Anderson, W.W., The Stylistic Development of Henry Purcell as Revealed by His Sacred Verse Anthems, D.M.A., University of Kansas, (1980)

Andrews, H.,"Elizabethan Keyboard Music: My Ladye Nevells Booke, 1591", Musical Quarterly 16,1930

______, (ed.), My Ladye Nevellls Booke of Virginal Music (William Byrd) (1926;1969)

Andrews, H.K., Thomas Morley, Collects Motets (1959)

______, "Transportation of Byrd's Vocal Polyphony", Music&Letters 43,1962

______, "Printed Sources of William Byrd's 'Psalmes, Sonets, and Songs", Music and Letters 44,1963

______, "The Printed Part-Books of Byrd's Vocal Music", The Library 5th ser. 19,1964

______, The Technique of Byrd's Vocal Polyphony (1966)

______, and Dart, T., "Fourteenth-Century Polyphony in a Fountains Abbey Ms. Book", Music and Letters 39,1958

Angelo, S., Public Spectacle in Early Tudor Policy, 1485-1547, Ph.D.(thesis), University of London, 1958

______, "The Court Festivals of Henry VII", Bulletin of the John Rylands Library 43,1960

Anthems by Tallis, Sheppard, and their contemporaries [Renaissance Masters. English Anthems; 1] (1990)

Ap Huw, Robert, [ca.1580-1665], Musica [Musica neu Beroriaeth]: British Museum Additional MS. 14905 (1936) [Facsimile of the Robert ap Huw harp manuscript (1613)]

Apel, W., "Early History of Organ", Speculum 23,1948

______, The Notation of Polyphonic Music 900-1600 (1949)

______, Harvard Dictionary of Music (1951;1969)

______, Gregorian Chant (1958)

______, Geschichte der Orgel- und Klaviermusik bis 1700 (1967)

______, "Solo Instrumental Music", In New Oxford History of Music, Vol. IV, 1540-1630 (1968)

______, (ed.), French Secular Compositions of the Fourteenth Century , music edited by Willi Apel, texts edited by Samuel N. Rosenberg [Corpus Mensurabilis Musicae] 53/I,1970

Applegate, J.S., The Henry Lawes Autograph Song Manuscript: A Critical Edition of British Museum Loan MS 35, Ph.D.(thesis), University of Rochester, (1966)

Arbeau, Thoinet [Jehan Tabournot],[ ], Orchesography, ... [1588]

Arber, E.A., Transcript of the Registers of the Company of Stationers 1554-1640, (1875-1894)

Archer, J., Goldring, E., and Knight, S., (eds.), The Progresses, Pageants, and Entertainments of Queen Elizabeth I, (2007)

Arkwright, G.E.P., "Purcell's Church Music", Acta Musicologica 1,(1910)

______, "The Chapel Royal Anthem Book of 1635", Musical Antiquary 2,1910-11

Arkwright, G.E.P., "An English Pupil of Monteverdi", Acta Musicologica 4,(1913)

______, "Elizabethan Choirboy Plays and their Music", Proceedings of the Musical Association 11,1913-14

______, Catalogue of Music in the Library of Christ Church Oxford, (1915-23) [2 vols.]

Armitt, M.L."Old English Viol Music", Quarterly Musical Review 4,1888

Arnold, C.R., Organ Literature: A Comphrensive Survey (1995(eds.) [2 vols.]

Arnold, D., "Thomas Weelkes and the Madrigal",Music and Letters 31,1950

______, "Croce and the Madrigal", Music and Letters 35,1954

______, "Gastoldi and the English Ballet", Monthly Musical Record 86,1956

______, Arnold, F.T., The Art of Accompaniment from a Thorough-Bass as Practiced in the 17th and 18th Centuries (1931;1965) [2 vols.]

Artz, F.B., The Mind of the Middle Ages: An Historical Survey (1953)

Arundell, D [ ], Henry Purcell (1927)

Ashbee, A., The Four-Part Instrumental Compositions of John Jenkins, Ph.D.(thesis), University of London, (1966)

______, "John Jenkins's Fantasia-Suites for Treble, Two Bases and Organ", Chelys 1,1969

______, "Lowe, Jenkins, and Merro", Music and Letters 48,1967

______, John Jenkins: Consort Music [Musica Britannica] 26,1969

______, "Instrumental Music from the Library of John Brown (1608-1691), Clerk of the Parliaments", Music and Letters 58,1977

______, (ed.), Lists of Payments to the King's Musick in the Reign of Charles II (1660-1685), (1981)

______, "A Not Unapt Scholar: Blustrode Whitelocke (1605-1675)", Chelys 11,1982

______, Records of English Court Music (1, 1986-)

______, The Harmonious Musick of John Jenkins, I: The Fantasias for Viols (1992)

______, Records of English Court Music, Vol. 7: 1485-1558 (1994)

______, Records of English Court Music, Vol. 8: 1485-1558 (1995)

______, Records of English Court Music, Vol. 9: 1485-1558 (1996)

______, "Groomed for Service: Musicians in the Privy Chamber at the English Court, c.1495-1558", Early Music 25,1997

______, (ed.), William Lawes (1602-1645): Essays on his Life, Times, and Work (1998)

______, The Harmonious Musick of John Jenkins I: The Fantasias for Viols (2010)

______, and Harley, J., The Cheque Books of the Chapel Royal (2000)[2 vols.]

______, Lasocki, D. and Holman, P., A Biographical Dictionary of English Court Musicians 1485-1714 (2 vols.;1998)

______, and Holman, P., (eds.), John Jenkins and His Time: Studies in English Consort Music (1997)

______, and Thompson, R., The Viola de Gamba Society Index of Manuscripts Containing Consort Music, (2001)

Ashton, R., The City and the Court, 1603-1643 (1979),

Aspend, S.E., Opera and Nationalism in mid-Eighteenth-Century Britain, D.Phil.(thesis), Oxford University, 1999

Atchison, M., The Structures and Scribes of the Chansonnier on the Oxford Ballet an MS Douce 308, MMus(thesis), Monash University, (1995)

Atkins, I., The Early Occupants of the Office of Organist and Master of the Choristers of the Cathedral Church of Christ and the Blessed Virgin, Worcester (1918)

Atlas, A.W., Renaissance Music: Music in Western Europe, 1400-1600 (1998)

Aubrey, Elizabeth (1996): Music of the Troubadours (1996)

*

Austern, L.P., Music in English Children's Drama, 1597-1613, Ph.D.(thesis), University of Chicago, (1984)

______, "Thomas Ravenscroft: Musical Chronicler of an Elizabethan Theater Company",Journal of the American Musicological Society 38,1985

______, Music in English Children's Drama of the Later Renaissance [Musicology: A Book Series] v. 13,1992

Avison, Charles, [ ], An Essay on Musical Expression (1752)

Aylward, T. [ ], The Sarum Hymnal (1869)

 

 

B

 

Babitz, S., "Concerning the Length of Time the every note must be held " Music Review 28,1967

______, "On using J.S. Bach's Keyboard Fingerings ", Music & Letters 1962

*

Baehrens, C.E. [ ], The Origin of the Masque (1929)

Bagford Ballads, (1878)[2 vols.]

Barnall, A., Musical Practices in Medieval English Nunneries, Ph.D.(thesis), Columbia University, (1975)

Bailey, C.L., English Keyboard Music, c1625-1680, Ph.D.(thesis), Duke University (1992)

______, Late-Seventeenth-Century English Keyboard Music [Recent Researches in the Music of the Baroque Era] 81,1997

______, Seventeenth-Century British Keyboard Sources [Detroit Studies in Music Bibliography] no. 83,2002

Bailey, D.S., Wells Manor of Canon Grange (1985)

Bailey, T., and Santosuosso, A., (eds.), Music in Medieval Europe. Studies in Honour of Bryan Gillingham (2006)

Baillie, H., "A London Church in Early Tudor Times", Music and Letters 36,1955

______, "The London Gild of Musicians, 1460-1530", Proceedings of the Royal Musical Association 83,1956-57

______, "Nicholas Ludford (c.1485-c.1557)", Musical Quarterly 44,1958

______, London Churches, their Music and Musicians (1485-1560), Ph.D.(thesis), University of Cambridge,UK (1958)

______, "Some Biographical Notes on English Church Musicians, chiefly working in London (1485-1569)", Royal Musicological Association Research Chronicle 2,1962

______, and Oboussier, P., "The York Masses", Music and Letters 35,1954

Baines, A.,"Fifteenth Century Instruments in Tinctoris',De inventione et usu musicae" Galpin Society Journal 3,1950

______, Brass Instruments: Their History and Development (1978)

Baines, F.,"The Consort Music of Orlando Gibbons", Early Music 6,1978

Baker, D., "Instrumental Consort Music of Robert Parsons", Chelys 7,1977

Baker, J.M., Aspects of Matthew Locke's Choral Music, Ph.D.(thesis), University of Illinois at Urbana-Champaign [n.d.]

Baker, T., History of St. John's College, Cambridge(1869)

Baldwin, D., Chapel Royal, Ancient and Modern (1990)

Baldwin, E., "Playing the Piper: Music in pre-1542 Cheshire", Galpin Society Journal 57,2004

Balensuela, C.M., The Ars cantus mensurabilis mensurata per modos iuris (Coussemaker's Scriptores 3, Anonymous V): An Introduction, Critical Text, and English Translation with Commentary, Ph.D.(thesis), Indiana University, (1993)

Ball, D., The Popular element in the music of the English virginal school, MMus(thesis), University of Auckland [In progress]

Bang, W., and Brotanek, R.,(eds.), The King and Queenes Entertainment at Richmond [Materialen zur Kunde des alteren englischen Dramas, 2; Louvain und Leipzig](1903; 1965 reprint)

Banks, J., The Instrumental Consort Repertory of the Late Fifteenth Century (2006)

Bank, K., Changed the World Throughout: Responses to the New World in English Madrigals, Ph.D.(thesis), Royal Holloway, University of London, [In Progress]

Bannister, A.T., The Cathedral Church of Hereford (1924)

Bantock, G., and Anderton, H.O., (eds.), The Melvill Book of Roundels (1916;1972)

*

Baptie, David [ ], A Handbook of Musical Biography (1883)

______, (ed.; comp.), Musical Scotland: Past and Present: Being a Dictionary pf Scottish Musicians from about 1400 till the Present (1894;1972;2010)

Barber, R.W., (ed.), King Arthur in Music [Arthurian Studies] 52, (2002)

Barbour, J.M., Equal Temperament, Its History from Ramis to Rameau, Ph.D.(thesis), Cornell University, (1932)

______, Tuning and Temperament: A Historical Survey (1951)

Barish, J., The Anti-Theatrical Prejudice (1981)

Barley, William, [ ], A New Booke of Tabliture Containing Sundrie Easie and Familiar Instructions, (1596)

_____, The Pathway to Musicke (1596)

Barlow, J.,(ed.), The Complete Country Dance Tunes From Playford's Dancing Master (1651-ca. 1728) (1985)

Barlow,W.,[ ], Summe of the Conference before the King's Majestie (1604)

*

Barnard, John, [fl. 1641], First Book of Selected Church Musick (1641) with a new intro. by John Morehen (1972)

Baron, J.H., Baroque Music: A Research and Information Guide (1993)

Barrett, G., Modality according to McClay (2013)

Barnett, H.B., Factors in the Transition from Renaissance to Baroque in English music, Ph.D.(thesis), University of Southern California, (1958)

______, "John Case - an Elizabethan Music Scholar", Music and Letters 50,1969

Barroll, J.L., Politics, Plague and Shakespeare's Theater: the Stuart Years (1991)

Barron, D., Continental Scribes and the Reception of Fifteenth-Century English Mass Music, Ph.P.(thesis), Indiana University, [In Progress]

Barron, M., Early Playford For Early Instruments (1987)

Bartlett, I., "Boyce and Early English Oratorio I", Musical Times 120,1979

Barton, J., Settings of Lamentations of Jeremiah by English composers 1460-1620, Ph.D.(thesis),University of London (1997)

Barton, William, [ ], The Book of Psalms (1644;1645)

Baskervill, C.R., The Elizabethan Jig and Related Song Drama (1929;1965 rep.)

Batchelor, A.,"Daniel Bacheler: The Perfect Musician", Lute Society Journal 28,1988

Bathe, William [1564-1614], A Briefe Introduction to the True Art of Musicke (1584)

______, A Briefe Introduction to the Skill of Song (1596),with intro. by Bernarr Rainbow (1982); [STC 1589]

_____, A Brief Introduction to the Skill of Song (1587 ), (ed.) by K.C. Karnes [Music Theory in Britain, 1500-1700] (2005)

Bawcutt, N.W., The Control and Censorship of Caroline Drama> The Records of Sir Henry Herbert, Master of the Revels 1623-73 (1996)

Bedbrook, G.S., Keyboard Music from the Middle Ages to the Beginning of the Baroque (1949;1973)

______, "The Buxheimer Keyboard Manuscript", Music Review 16,1953

______,

Beder, J., The Fitzwilliam Virginal Book Dances: The Fusion of Rhythm and Tonal Structure in the Late Renaissance, Ph.D.(thesis), City University of New York, (1982)

Beck, S., (ed.), The First Book of Consort Lessons Collected by Thomas Morley, 1599 and 1611 (1959)

Becker, C.F., Die Tonwerke des 16. und 17, Jahnhundert (1855)

Beechey, G., "Thomas Morley and the Recorder", The Recorder Magazine 22,2002

Beer, R., "Ornaments in old Keyboard Music", Music Review 13,1952

Bede, The Venerable [673-735], A History of the English Church and People, Trans. L. Sherley-Price, rev. R.E. Latham (1968;2010)

Beier, A.L., "Social Problems in Elizabethan London" JIH

Bell, N., Music in Medieval Manuscripts (2001)

Bellingham, B., "The Musical Circle of Anthony Wood in Oxford during the Commonwealth and the Restoration", Journal of the Viola de Gamba Society of America 19,1983

Benham, H., The Music of Taverner, A Study and Assessment, [unpublished] Ph.D.(thesis), University of Southhampton (1969)

______, "The Music of John Taverner: A Liturgical Study", Music Review 33,1972

______, The Formal Design and Construction of Taverner's Work",[Musica Disciplina] 26,1972

______, "Latin Church Music under Edward VI", Musical Times 66,1975

______, Latin Church Music in England, c.1460-1575 (1977)

______, "Prince Arthur (1486-1502), a Carol and a Cantus Firmus"e; Early Music 15, 1987

______, Early English Church Music: John Caverne: Ritual Music and Secular Songs (1985)

______, John Taverner: His Life and Music (2003)

______, Baroque Music in Focus (2007;2010)

Benjamin, H., "Nathaniel Cross, William Borracleffe, and a clutch of Tudor viols", Galpin Society Journal 56,2003

Bennett, H.S., The Pastons and Their England: Studies in an Age of Transition (1968)

Bennet, J., Byrd and Jacobean Consort Music: A Look at Richard Mico, In Byrd Studies, A. Brown and R. Turbet (eds.) (1992)

Bennett, J., "John Oker/Okeover", Chelys 16,1987

______, and Willetts, P., "Richard Mico", Chelys 7,1977

Benson, L.F., The English Hymn (1915)

Bent, I.D., The Early History of the English Chapel Royal, ca. 1066-1327, Ph.D.(thesis), Cambridge University, (1969)

Bent, M.,

______, "Initial Letters in the Old Hall Manuscript", Music and Letters 47,1966

______, "Sources of the Old Hall Music", Proceedings of the Royal Music Association 94,1967-68

______, The Old Hall Manuscript: a Paleographical Study, Ph.D.(thesis), University of Cambridge,(1969)

______, "The Old Hall Manuscript", Early Music 2,1974

______, "The Transmission of English Music 1300-1500: Some Aspects of Repertory and Presentation", In Studien zur Tradition in der Musik: Kurt von Fischer zum 60 Geburtstag, H.H. Eggebrecht and M. Lutölf (eds.) (1973)

______, From Polyphony to Seconda prattica (1977)

*

______, "The Songs of Dufay: Some Questions of form and Authenticity", Early Music 8,1980

______, Dunstable (1981)

______, "Editing Early Music: The Dilemma of Translation", Early Music 22,1994

______, "The Early Use of the Sign Phi " Early Music 24,1996

______, and Bent, I., "Dufay, Dunstable, Plummer - A New Source", Journal of the American Musicological Society 22,1969

______, Margaret; Bent, I., "Dufay, Dunstable, Plummer-A New Source" Journal of the American Musicological Society 22,1969

______, Margaret; Bent, Ian; Trowell, Brian (eds.), John Dunstable complete works, [Musica Britannica] Vol. VIII, (1970)

Bentham, H.,(ed.), John Taverner: I: Six-part Masses [Early English Church Music] 20,1978

Bentley, G.E.,(ed.), A Book of Masques in Honour of Allardyce Nicoll (1967)

Bentley, J.C., The Jacobean and Caroline Stage (1940-68)[7 vols.]

Bergenfeld, N., The William Raylton Virginal Book, Ph.D.(thesis), New York University [In progress]

Berger, A.M.B., Mensuration and Proportion Signs (1993)

Bergeron, D.M., Twentieth-Century Criticism of English Masques, Pageants, and Entertainments: 1558-1642 (1972)

Bergsagel, J.D., "An Introduction to Ludford", [Musica Disciplina] 14,1960

______, "On the Performance of Ludford's Alternatim Masses", [Musica Disciplina] 16,1962

______, "The Date and Provenance of the Forrest-Heyther Collection of Tudor Masses", Music&Letters 44,1963

______, J.D., A Study of the English Polyphonic Mass of the Early Tudor Period, with Special Reference to the Contents of Two Manuscript Collections: Oxford, Bodleian Library, Mus. Sch. e. 376-81, and London, British Museum Add. 17802-5, Ph.D.(thesis), Magdelan, Oxford University, (1969)

______, (ed.), English Tudor Masses, II, [Early English Church Music] 16,1975

______, (ed.), Music in Denmark at the Time of Christian IV, II: Music for Instrumental Ensemble (1977)

Bermundo, Juan [ ], Declaracio'n de Instrumentos Musicales: 1555 (1957)

*

______, "On playing the Vihuela (De taner vihuela) ... ", The Journal of the Lute Society of America 28-29,1995-96

Bernstein, J.A., The Chanson in England 1530-1640: A Study of Sources and Styles, Ph.D.(thesis), University of California at Berkeley, (1974)

______, "Lassus in English Sources: Two Chansons Recovered", Journal of the American Musicological Society 27,1974

______, "Philip van Wilder and the Netherlandish Chanson in England", [Musica Disciplina] 33, (1979)

______, "An Index of Polyphonic Chansons in English Manuscript Sources, c. 1530- 1640", Royal Musical Association Research Chronicle 21, 1988

Bertenshaw, D., The Influence of the Late Sixteenth-Century Italian Polyphonic Madrigals on the English Viol Consort Fantasy c. 1600-1645, A Background Study, Ph.D.(thesis), University of Leicester, (1992)

Bessler, H., Die Musik des Mittelaters und der Renaissance (1934)

Best, T., Handel collections and their history (1993)

Bevington, D.M., From Mankind to Marlowe: Growth and Structure in the Popular Drama of Tudor England (1962)

______, and Holbrook, P.,(eds.), The Politics of the Stuart Court Masque (1998)

Bicknell, J.C., Interdependence of Word and Tone in the Dramatic Music of Henry Purcell, Ph.D.(thesis), Stanford University, (1960)

Bicknell, S., The History of the British Organ (1996)

Binford-Walsh, H.M., A Comparison by Byrd's and Gibbons' service anthems, MMus(thesis), Rice University, (1985)

Birch, Thomas,[1705-1766],

______, Court and Times, II,137; Calendar of State Papers, Venetian Series, (1617–1619) [17?]

*

______, The Life of Henry Prince of Wales, Eldest Son of King James I (1760)

______, (ed.), The Court and Times of Charles First (1849)

Bishop, S.D., British Library Additional Manuscripts 17802-17805: Latin Liturgical Polyphony in Reformation England, Ph.D.(thesis), University of Toronto, (1978)

Bisson, N., English Polyphony for the Virgin Mary: The Votive Antiphon, 1420-1500, Ph.D.(thesis), Harvard University, (1998)

Bithell, J., German Pronunciation and Phonology (1952)

Bittermann, H.R., "The Organ in the Early Middle Ages", cite>Speculum 4,1929

Blackburn, A.S., Styles in the church music of Henry Purcell, MMus(thesis), University of Melbourne [In progress]

Blackburn, B.J., "On Compositional Process in the Fifteenth Century " Journal of the American Musicological Society 40,1987

______, and Lowinsky, E., Composition, Printing,and Performance: Studies in Renaissance Music (2000)

Blades, J., Early Percussion Instruments from the Middle Ages to the Baroque (1976)

Blezzard, J.H., "The Lumley Books", Music Times 112,1971

______, The Sacred music of the Lumley Books (British Museum, Royal Appendix Manuscripts 74-76): an edition and critical study, Ph.D.(thesis), University of Leeds (1972)

______, "A New source of Tudor secular music", Musical Times 72,1981

______, Reconstructing Early English and Vocal Music: History, Principle, and Practice, The Music Review 45,1984

______, "Monsters and Messages: The Willmott and Braikenbridge Manuscripts of Latin Tudor Church Music 1591", The Antiquaries Journal 75,1995

Blom, E., Music in England (1942; revised 1947)

Blount, G.L., The Sacred Vocal Music of John Mundy: A Critical Edition, Ph.D.(thesis), University of California at Los Angeles, (1974)

Bloxam, J.R., A Register of the Presidents, Fellows, Demies, Instructors in Grammar and Music, Chaplains, Clerks, and Choristers and other Members of Saint Mary Magdalene College in the University of Oxford (1857)

Bloxam, M.J.,(ed.), Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, (eds.) by M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (2009)

Blume, F., (ed.), Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (Kassel, 1949-79) [Cited by volume and column number] , II, (1591-5)

Boalch, D., Makers of the Harpsichord and Clavichord 1440-1840 (2d ed.,1973)

Bock, E.W., The String Fantasies of John Hingeston (c.1610-1683), Ph.D.(thesis), University of Iowa, (1956)

Boden, A., Thomas Tomkins: the last Elizabethan (2005)

______, "The Lives and Times of Thomas Tomkins and his family", In Thomas Tomkins: the Last Elizabethan (2005)

Bouul;hmer],H., Kirche und Staat in England und in der Normandie (1899)

Bolwell, R., The Life and Works of John Heywood (1921)

Bond, A., A Guide to the Harpsichord (1997)

Bonvalot, A., The Round of Shakespeare's Age in England and Scotland: Three Collectors and Their Store,1580-1612, Ph.D.(thesis), Harvard University, (1966)

Boomgaarden, D.R., Musical Thought in Britain and Germany during the Early Eighteenth Century (1987)

Boorman, S., "Notari, Porter and the Lute", Lute Society Journal 13,1971

______, (ed.), Studies in the Performance of Late Medieval Music (1983)

______, Studies in Printing, Publishing and Performance of Music in the 16th Century, [Variorum Collected Studies Series]] CS815,2005

Borders, J., (ed.), Plainsong and Medieval Music

*

Born, M.L., The English Instrumentalists Abroad: An examination of the English contributions to the Northern European ensemble idiom at the beginnings of the Seventeenth Century, Ph.D.(thesis), University of London [In progress]

Borren, C.V. den, The Sources of Keyboard Music in England (1914)

______, "The Genius of Dunstable", Proceedings of the Musicological Association 47,1921

Borrel, E., La Sonate (1951)

Borroff, E., "Women and Music in Medieval Europe", Mediaevalia 14,1991

Boston, J.L., "Pricilla Bunbury's Virginal Book", Music and Letters 36,1955

______, N., The Musical History of Norwich Cathedral (1963)

Boswell, E., Restoration Court Stage (1660-1702) (1960 reprint)

*

Bottoms, J.F., The Development and Influence of the English Court Entertainment in the Sixteenth-Century, Ph.D.(thesis), University of Sheffield, (1984)

Bowen, G., The Organs of St David's Cathedral (2001)

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Chrimes, S., Ross, C.D.and Griffiths, R.A.,(eds.), Fifteenth-Century England 1399-1509 (1972)

Chronicle of England ... from A.D. 1485-1550 by Charles Wriothesley, Windsor Herald, (ed.) W.D. Hamilton [The Camden Society] (1874-77, (1965 rep.)

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Clarke, A.,(ed.), The Shirburn Ballads (1907)

Clarke, H.L., "John Blow: A Tercentenary Survey", Musical Quarterly 35,1949

Clay, R.M., The Hermits and Anchorites of England (1914)

Clay, William, K.,[ ],(ed.), Liturgical Services of the Reign of Queen Elizabeth (1847)

______, (ed.),Private Prayers of the Reign of Queen Elizabeth (1851)

Clements, J., Aspects of the Ars Rhetorica in the vilin music of Heinrich Biber (1644-1704), Ph.D.(theses), Royal Holloway, University of London, (2002)

Clifford, G., A Description Catalogue of the Music collection at Burleigh House, Stamford (2002)

Clifford, James [1622-1696], The Divine Services and Anthems (1663)

Clulow, P., "Publication Dates for Byrd's Latin Masses", Music and Letters 47,1966

Clutton, C., and Niland, A., The British Organ (1963)

Coates, W., "English Two-Part Viol Music, 1590-1640", Music and Letters

Cobb, G.F., A Brief History of the Organs ... of Trinity College, Cambridge (1913)

Cochrane, L.A., String Consort Music of John Hingeston (c. 1610-83), Ph.D.(thesis), University of Bristol [In progress]

Cockerell, Sir S.C., and James, M.R., Two East Anglican Psalters (1926)

Cockman, I., Traethawd ar Gerddoriaeth gan y Telynor Robert Peilin (c.1613), M.Phil.(thesis), Wales (Aberystwyth), (1999)

______, I., "Robert Peilin (c.1575-c.1638) and his Essay on Music", Welsh Music History v. 4,1974

Cockshoot, G., The Sacred Music of Alphonso Ferrabosco (Father) (1543-1588), Ph.D.(thesis), University of Oxford, (1964)

Cofrin, A., Medieval Songs and Dances of 11th-14th Century: Europe, vol. 1 (1997)

Cogswell, T., and Cust, R., and Lake, P., (eds.), Politics, Religion and Popularity in Early Stuart Britain: Essays in Honour of Conrad Russell, (2002;2011)

Cohn, A., The Literature of Chamber Music (1997) [4 vols.]

Coldewey, J.C.,Some Nottingham Waits: Their History and Habits, REED Newsletter, 1982

Cole, E., "In Search of Francis Tregian", Music and Letters 33,1952

______, "Seven problems of the Fitzwilliam Virginal Book", Proceedings of the Royal Musical Association 79,1952-53

Cole, S., The Reception of the scared choral music of Thomas Tallis in Nineteenth-Century England, Ph.D.(thesis), University of Melbourne, (2004)

Colie, R., Paradoxia Epidemica: The Renaussance Tradition (1966)

Colla, V.C., The Sacred music of Robert Johnson (ca. 1500-ca. 1560), Mus.D.(thesis), University of Illinois at Urbana-Champaign, (1986)

Colles, H.C., Voice and Verse: A Study in English Song (1928)

Colley, L., Britons: Forging A Nation, 1707-1837 (1992)

Collier, J.P., [ ], (ed.), Old ballads from early printed copies (1840)

______, A Book of Roxburghe Ballads (1847)

______, Five Court Masques (1848)

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Collins Jr., F.,(ed.), Medieval Church Music-Drama (1992)

Collins, H.B., "John Taverner's Masses", Music and Letters 5,1924

______, "John Taverner",Music and Letters 6,1925

______, "Thomas Tallis",Music and Letters 10,1929

Collins, W.S., The Anthems of Thomas Weelkes, Ph.D.(thesis), University of Michigan, (1960)

______, "Recent Discoveries concerning the Biography of Thomas Weelkes", Music and Letters 44,1963

Collinson, F., The Traditional and National Music of Scotland(1966)

______, The Bagpipe: The History of a Musical Instrument (1975)

Collinson, P., The Religion of Protestants: the Church in English Society, 1559-1625(1983)

Collinson, P.N., Ramsey and M. Sparks, (eds.), A History of Canterbury Cathedral (1995)

Collmann, H.L.,[ ], (ed.), Ballads and Broadsides chiefly of the Elizabethan Period, (1812;1971 rep.)

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______, Ballads and Broadsides chiefly Of the Elizabethan Period and Printed in Black-Letter, Most of which were formerly in the Heber Collection and are now in the Library at Britwell Court Buckinghamshire (1912;1971 rep.)

Colthorpe, M., "An Entertainment for Queen Elizabeth at Wimbledon in 1599", Records of Early English Drama Newsletter 10,1985

______, "Anti-Catholic Masques Performed before Queen Elizabeth I", Notes and Queries 33,1986

______, "The Theobalds Entertainment for Queen Elizabeth I in 1591, with a Transcript of the Gardener's Speech", Records of Early English Drama Newsletter 12,1987

Colton, L., "Music in pre-Reformation York: a New Source and Some Thoughts on the York Masses ", Plainsong and Medieval Music 12, 2003

Connelly, P.C., The Viola de Gamba: the development of its technique and pedagogy to the present, MMus(thesis), University of Sydney, (1995)

Connolly, M., John Shirley: Book Production and the Noble Household in Fifteenth-Century England (1998)

Cook, G.H., The English Cathedral (1957)

[Cooke, Henry], Some Account of Doctor Cooke (1837)

Cooper, B.,English Solo Keyboard Music of the Middle and Late Baroque. London, (1989)

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Copeman, H., Singing in Latin ( )

Coperario, John, [ ], The Maske of Flowers (1614)

Coperario, John [ ], Giovanni Rules on how to compose

Coplande, R., The Manner of Dauncynge of Bace Daunces, Oxford, Bodleian Library (Douce B. 507)

Cowper, J.M. Intrantes: a List of Persons admitted to Live and Trade within the City of Canterbury, 1392–1592 (1904)

Cornysh, William [1465-1523], A Treatise between Information and Truth; (1568)

Corrie, G. E., "Reasons for the Completion of Dr Tudway's Degree in Musick",Antiquarian Communications 2,1864

Cosyn, John [ ], Musike of Six, and Five Partes (1585)

Covert, V.A.T., The Sacred Music of Robert Johnson (1490-1560), D.M.A.(thesis), Choral Music, University of Illinois [In progress]

Cowgill, R., and Holman, P., (eds.), [Music in Britain, 1600-1900]

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Cox, G., Organ Music in Restoration England: A Study of Styles and Influences, [London], (1989?)

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Craig-McFeeley, J., English Lute Manuscripts and Scribes 1530-1630, Ph.D.(thesis), University of Oxford,UK, (1994)

Crane, F., Extant Medieval Musical Instruments: A Provisional Catalogue by Types (1972)

______, "Materials for the Study of the Fifteenth Century Basse Dance", [Musicological Studies] 16,[?]

Crawford, G.A., "Succession of Organist" In Cathedral Anthems published for the Cathedrals of ... Dublin (1881)

Crawford, M., Rhetorical Structure in Seventeenth and Eighteenth-Century fugal music for Keyboard, Ph.D.(thesis), University of Ulster [In progress]

Cressy, D., Literacy and the Social Order: Reading and Writing in Tudor and Stuart England (1980)

Crocker, R.L., "Musica Rhythmica and Musica Mertrica in Antique and Medieval Theory", Journal of Music Theory

Croft, William [ ], William Croft, Canticles and Anthems with Orchestra, (ed.)by Donald Burrows, [Musica Britannica] 91 (2011)

Crosby, B., Catalogue of Durham Cathedral Music Manuscript (1986)

______, The Choral Foundation of Durham Cathedral, c.1350-c.1650, Ph.D.(thesis), Durham University, (1993)

Cross, C., Church and People 1450-1660 (1976)

Crossley, F.H., English Church Craftsmanship (1941)

Crossley-Holland, P., "The Robert ap Huw Composers: Evidence for Date and Identity", Welsh Music History v.3

Crownfield, E.E., British Library, MS R.M. 24. d.2 and Oxford Christ Church, MS 979-83: Two Elizabethan Musical Sources copied by John Baldwin, M.A.(thesis), New York University, (1985)

______, The Intellectual Backgrounds of Morley's Plaine and Easie Introduction, Ph.D.(thesis), New York University [In progress]

Cruickshank, D., Dancing in the Inns of Court (1965)

Cuming, G.J., A History of Anglican Liturgy (1969;1982)

Cummings, D.,(ed.), Random House Encyclopedic Dictionary of Classical Music (1997)

______, W., The Keyboard Music of John Bull [Studies in Musicology] 71 (1984)

Cummings, W.H., Handel (1905)

______,Purcell (1911)

______, "J. Blow", Sammelb"ande der internationalen Musikgesellschaf 10

Cunningham, D.G., A Definition of the Jonsonian Masque as a Literary Form, (thesis), Stanford University (1946)

Cunningham, J.P., The Politics of music in the Stuart Court, c.1625-42, Ph.D.(thesis), University of Leeds [In progress]

______, Music for the privy chamber: studies in the consort music of William Lawes (1602-45), Ph.D.(thesis), University of Leeds, (2007)

Cunningham, J.P.,(ed.)., Dancing in the Inns of Court (1965)

Cunningham, P., Indigo Jones, a Life of the Architect (1853)

Cunningham, W.E., The Keyboard Music of John Bull, Ph.D.(thesis), University of California at Berkeley (1981)

______, The Keyboard Music of John Bull [Studies in Musicology] 71 (1984)

Curtis, A.P., Henry Purcell and the London Stage (1984)

Curtis, A.S., Sweelinck's Keyboard Works: A Study of English Elements in Dutch Secular Music of the Gouden Eeuw, Ph.D.(thesis), University of Illinois at Urbana-Champaign, (1963)

Curtis, G., and Wathey, A., "Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory", Royal Musical Association Research Chronicle 27,(1994)

Curtis, G.R.K., The English Masses of Brussels, Bibliothèque Royale, MS 5557, Ph.D.(thesis),University of Manchester, (1979)

_____, and Wathey, A., "Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory", Royal Musical Association Research Chronicle 27,(1994)

Cutts, J.P., The Contributions of Robert Johnson, King's Musician, to Court and Theatrical Entertainment, Ph.D(thesis), University of Reading, (1953)

______, "Robert Johnson, King's Musician in His Majesty's Public Entertainment",Music and Letters 36,1955

______, "Robert Johnson and the Court Masque", Music and Letters 41,1960

______, La Musique de scene de la troup de Shakespeare (1959)

Cyr, M., Performing Baroque Music (1992)

______, Essays on the performance of Baroque music: opera and chamber music in France and England (2008)

______, and Barrett, E.,An Annotated Index to the Microfilm Holdings of 17th- and 18th-century Opera in the Music Library, McGill University (1978)

 

 

D

 

Dahlhaus, C., Studies on the Origin of Harmonic Tonality (1990)

______, Eggebrecht, H.H., (eds.), Brockhaus Riemann Musiklexikon (1979) [2 vols.]

Daman, William [1540-1591],

______, Di sei soprani: Two fantasias of six parts, William Daman, and Alfonso Ferrabosco I, (ed.) by V. Brookes, [n.d.]

______, The Psalms of David in English Meter (1579)

Daniel, R.T.,and Le Huray, P.G., The Sources of English Sacred Music, 1549-1644 [Early English Church Music, Suppl., 1,(1972)

Danner, P.K., The Miserere mihi and the English Reformation, Ph.D.(thesis), Stanford University, (1967)

______, "Dd.4.23 or English Cittern Music Revisited",Journal of the Lute Society of America 3,1970

Dannreuther, E., Musical Ornamentation (1893-95)

Dart,Thurstan,[1921-1971]

______, "Morley's Consort Lessons of 1599", Proceedings of the Royal Musical Association 74,1947-48

______, "A New Source of Early English Organ Music",Music and Letters 35,1954

______, "New Sources of Virginal Music"Music and Letters 35,1954

______, "Lord Herbert of Cherbury's Lute Book",Music and Letters 38,1957

______, "Music and Musicians at Chichester Cathedral, 1545-1642",Music and Letters 42,1961

______, "A Suppressed Dedication for Morley's Four-Part Madrigals of 1594", Transactions of the Cambridge Bibliographical Society 3,1963

______,(ed.), John Bull, Keyboard Music [Musica Britannica] 14,19 (1963-70)

______, Thomas Tomkins: Keyboard Music, ed. by S.D. Tuttle (1955), rev. T. Dart, 2nd ed., [Musica Britannia] 5 (1964)

______, The Interpretation of Music (4th ed.; 1967)

______, "Henry Loosemore's Organ Book",Cambridge Bibliographical Society, III, no. 2,1967

Dart, T., "The Cittern and English Music" Galpin Society Journal 1, 1948

______, "Notes and Queries: English Cittern Music"Galpin Society Journal 6,1953

______, The Interpretation of Music (1954)

______, "A Hand-List of English Instrumental Music Printed before 1681", Galpin Society Journal 8,1955

______, (ed.), Suite from Royal Brass Music of King James I (1959)

______, "Music and Musicians at Chichester Cathedral,1545-1642"Music and Letters 42,1961

______, and Coates, W., Jacobean consort music [Musica Britannica] 19, (1967)

Davenport, M., The Dances and Aires of William Lawes (1602-1645): Context and style, Ph.D.(thesis),University of Colorado at Boulder, (2001)

Davey, Henry, [ ], "John Dunstable", Musical Times 45,1904

______, A History of English Music (1895;1921)

David, Ernest [ ], and Lussy, Mathias, [ ], Historie del la Notation Musicale depuis ses Origines (1882)

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Davidson, A.T., and Apel, W., Historical Anthology of Music (1946)

______, Church Music: Illusion and Reality (1952)

Davidson, A.E., Performing Medieval Music Drama

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Davidson, Charles, [ ], Studies in the English Mystery Plays (1892)

Davies, H., The Worship of the English Puritans(1997)

Davies, H., The Worship of the American Puritans(1999)

Davis, A., The Recorder in the Baroque Orchestra, Ph.D.(thesis), University of Birmingham [In progress]

Davis, B., "Re-examining Tudor music: The historiography of the Reformation, or the reformation of histography",Early Music 29,2001

Davis, H., Elizabethan and Jacobean Studies (1959)

Davis, W.R., Thomas Campion (1987)

Davis, Jr., R.A., Medieval Repertories of Invintarory Antiphones; A Comparative Study

Davison, N., (ed.), The Western Wind Mass for Four Voices by Christopher Tye (1969)

______, "The "Western Wind" Masses ",Musical Quarterly 57,1971

Dawe, D., Organists of the City of London 1666-1850 (1983)

Dawes, F., "Nicholas Carlton and the Earliest Keyboard Duet",Musical Times 92,1951

Dawson, G.E.,"John Payne Collier's Great Forgery", Studies in Bibliography 24,1971

Day, C.L., and Murrie, E.B., (eds.), English Song-Books 1651-1702, a Bibliography with a first-line Index to Songs (1940)

______, T.,(comp.), British Library National Sound Archive: A Discography of Tudor Church music (1989)

______, Morning and Evening Prayer (1565)

*

Day, T., A Discography of Tudor church music,  compiled and introduced by Timothy Day (1989)

______, "Tallis in Performance", Early Music 33, 2005

Daye, A., "Torchbearers in the English Masque", Early Music 26,1998

Daye, J.[ ], The Whole Psalter (1563)

Dean, W.,. Handel's Operas, 1726-1741 (2006)

Dearmer, P., Vaughn Williams, R., and Shaw, M., (eds.), The Oxford Book of Carols (1928)

Dearnley, C., English Church Music 1650-1750, In Royal Chapel, Cathedral and Parish Church (1970)

______, The Treasury of English Church Music, 1650-1750, (1970)[3 vols.]

______, English Church Music 1650-1750

Deeming, H., (ed.), Songs in British Sources c.1150-1300 [Musica Britannica 95] (2013)

Degering, H., Die Orgel (1905)

del Amo, F., Music by 17th-Century Viol-playing English Catholic Working in Europe, Ph.D.(thesis), University of Leeds [In progress]

Demming, H., "The Sources of the Agincourt Carol", Early Music 35,2007

______, Songs in British Sources; c.1150-1300 [In prep] {2013]

Denevant, D.L., Music at the court of Henry VIII, Ph.D. (thesis), University of Cincinnati, [In progress]

Denhard, A.A., Lute realizations for the English Cavalier songs: A guide for the performers, Ph.D.(thesis), University of Indiana [In progress]

Dennison, P., "The Sacred Music of Matthew Locke", Music and Letters 60, 1979

______, Pelham Humphrey (1986)

Dent, E.J., Foundations of English Opera (1928)

______, "English Influences on Handel", Monthly Musical Review, 49,1929

Deutsch, O.E., "The Editions of Morley's 'Introduction'", The Library, 4th ser., 25,1943

______, Handel, A Documentary Biography (1955)

DeVos, B.R., The Emergence of Tudor Church Music in the Vernacular, Ph.D.(thesis), Boston University, (1971)

Dexter, K.J., The Provision of Choral Music at St. George's Chapel, Windsor Castle and Eton College ca. 1640-1733, Ph.D(thesis), Royal Holloway College,University of London, (2000)

______, A good quire of voices: The provision of choral music at St George's Chapel, Windsor Castle, and Eton College, c.1640-1733, (2002)

Dickens, A.G., and Carr, D., The English Reformation (1964)

______, The Reformation in England to the Assention of Elizabeth I (1967)

Dickinson, A.E.F., "Thomas Weelkes", In The Music Masters, (ed.), A.L. Bacharachn, 1, (1948)

*

Dictionary of National Biography,(eds.) Stephen, L. and Lee, S. (1885- )

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Dictionary of the Middle Ages (1982-2003) [13 vols.]

Dillon, E., Medieval Music-Making and the Roman de Fauvel (2002)

Dimsdale, V.L., The Lute Consort in Seventeenth-Century England, Ph.D.(thesis), University of Oxford, (1968)

______, "English Sacred Music with Broken Consort",Lute Society Journal 16,1974

Dixon, P., Dixon, Peggy. Early Dance Book 3, Elizabethan Dances Part 1 [n.d.]

______, Early Dance Book 4, Elizabethan Dances Part 2 [n.d.]

______, Early Dance Book 5, English Country Dances (17th & 18th Century) [n.d.]

Dixon, W.E., A Catalogue of Ancient Choral Services and Anthems ... in the Cathedral Church of Ely (1861)

Doane, Joseph, A Musical Directory for the Year 1794 (1993)

Dobree, B., English LIterature in the Early Eighteenth Cenntury; 1700-1740 (1959;1968 rep.)

Dobson, E.J., English Pronunciation 1500-1700 (?;1968) [2 vols.]

*

______, and Harrison, F.L.,(eds.), Medieval English Songs (1979)

Dod, Henry, [ ]Certain Psalms of David (1603)

______, Al the Pslams of David (1620)

Dodd, G., "Alfonso Ferrabosco II - The Art of the Fantasy", Chelys 7,1977

______, "A Summary of Music for Viols", Early Music 6,1978

______, (comp.), A Thematic Index of Music for Viols, 1980-92

Dodds, M.R., The Baroque Church Tunes in Theory and Practice c.1640-1733, Ph.D.(Thesis), University of Rochester, (1999)

Dodwell, Henry, [ ], A Treatise Concerning the Lawfulness of Instrumental Musick on Holt Orders (1700)

Doe, P., "Latin Polyphony under Henry VIII", Proceedings of the Royal Musical Association 95,1968-9

______, "Tallis's Spem in allum and the Elizabethan Respond-Motet", Music and Letters 51,1970

______, "Another View Musica Ficta in Tudor Music", Proceedings of the Royal Musical Association 98,1971-72

______, Tallis (1976 2nd ed.)

Dolmetsch, M., The Interpretation of Music of the 17th and 18th Centuries (1944)

______, Dances of England and France from 1450 to 1600, (1949)

Donahue, Sister B.J,, O.S.B., From Latin to English: Plainsong in Tudor England, Ph.D.(thesis), Catholic University of America,(1967)

Donaldson, I., Jonson's Walk to Scotland of the Architect(1992)

Donington, R.,

______, "Musical Instruments in the Liturgical Service in the Middle Ages" The Galpin Society Journal 1,1958

______, The Instruments of Music (1962)

_____, The Interpretation of Early Music (1963)

______, "Communications", cite>Journal of the American Musicological Society> 19,1966<

______, "A Problem of Inequality", Musical Journal 53,1967

______, A Performers Guide to Baroque Music (1973)

______, The Interpretation of Early Music: New Version (1974;1989)

______, String Playing in Baroque Music (1977)

______, The Rise of Opera (1981)

______, Baroque Music: Style and Performance: A Handbook (1982)

Donington, R., and Dart, T., "The Origin of the In Nomine", Music and Letters 30,1949

Doorslaer, G. van., "L’éducation artistique des anciens musiciens intrumentistes", In Gedenkboek aangeboden aan Dr D.F.Scheurleer (1925)

Dorian, F., The History of Music in Performance (1942)

Doughtie, E., English Renaissance Song (1986)

Douglas, W., Church Music in History and Practice (1963)

Dowden, J., The Medieval Music in Scotland (1910)

Dowland, John [1563-1626]

______, John Dowland, Keyboard Music ed. by Hogwood, C., (2005)

______, The First Booke of Songes or Ayres of Fowre Partes with Tableture for the Lute so made that all the partes together, or either of them seuerally may ... De Gambo. Composed by Iohn Dowland, (1597) [EEBO Edition] (2010)

______, First Book of Songs or Airs: 1613 (English Lute Songs) ed. by Jones, R., and D. Greer (1969)

______,First Book Of Airs: 1597 ... (ed.) by E.H. Fellows (1922?;2011)

______,The Second Booke of Songs or Ayres, of 2. 4. and 5. parts vvith tableture for the Lute or Orpherian, with the Violl de Gamba. Composed by Iohn Dovvland Batcheler of Musick (1600), [EEBO Ed.](2010)

_____,Second Book Of Airs: 1600 ... (ed.) by E.H. Fellows (1922?;2011)

______, The Third and Last Booke of Songs or Aires Newly Composed to Sing to the Lute, Orpharion, or Viols, and a dialogue for a base and meane lute with fiue ... By Iohn Dowland, Bacheler in Musicke. (1603), [EEBO Ed.] (2010)

______, The Third and Last Books of Songs or Aires: 1603

______, Varietie of lute-lessons viz. fantasies, pauins, galliards, almaines, corantoes, and volts: selected out of the best approued authors, as well beyond ... our owne country. By Robert Douland. (1610), [EEBO ed.] (2010)

______, A Pilgrimes Solace VVherein is contained musicall harmonie of 3. 4. and 5. parts, to be sung and plaid with the lute and viols. By Iohn Douland, Batchelor of Musicke in both the vniuersities. (1612), [EEBO ed.] (2010)

______, The First book of songs or ayres of foure parts: with tableture for the lute : so made, that all the parts together, or either of them severally, may be sung to the lute, orpherian, or viol de gamba: the London, [1613] (1994)

______, The First Booke of Songes or Ayres: [1597/1613], ed. by W.J. Wolff (1997)

______, The Complete Lute Music of John Dowland, (eds.), Poulton, D., and B. Lam, B., (1974;1998)

Dowling, M., "The Printing of John Dowland's Second Booke of Songs and Ayres'", The Library 4th ser., 12,1932

Downes, R., "Purcell: An Organist's view of the organ works", In Henry Purcell, 1659-1695, Holst, I.,(ed.) (1959)

Duckles, V.D., Music Reference and Research Materials: An Annotated Bibliography "John Jenkins, Settings of Lyrics by George Herbert", Musical Quarterly 48,1962

______, "The Music of the Lyrics in Early Seventeenth-Century English Drama: A Bibliography of the Primary Sources", In Music on English Renaissance Drama, J.H. Long, (ed.)

______, and Reed, I.,Music Reference and Research Materials: An Annotated Bibliography (1997)

Duffin, R.W.

______, "An Encore of Shakespeare's Rare Italian Master", Elizabethan Review

______, (ed.), A Performer's Guide to Medieval Music (2000)

______, "Catching the Burthen: A New Round of Shakespearean Musical Hunting ", Studies in Music 19-20,2001

______, "To Entertain a King: Music for James and Henry at the Merchant Taylors Feast of 1607", Music and Letters 83,2002

______, Shakespeare's Songbook (2004)

Duffy, J.C., The Vocal Works of Alfonso Ferrabosco, the Younger, c.1575-1628, Ph.D.(thesis), Boston University, (1979)

Dugdale, W., [ ], Old St Paul's (c.1680)

*

______, History of St. Paul's, with additions by H. Fells (1818)

Duguid, T., Sing a New Song: English and Scottish Metrical Psalmody from 1549 to 1640, Ph.D.(thesis), University of Edingurgh, (2011)

Dumitrescu, T., Anglo-Continental Musical Relations c.1485-1530, Ph.D.,(thesis), Oxford University [In process}

______, The Early Tudor Court and International Musical Relations (2007)

Duncan, T.G.,(ed.), Late Medieval English Lyrics and Carols, 1400-1530 (2000)

Dunevant, D.L., Music at the Court of Henry VII, Ph.D.(thesis), University of Cincinnati [In progress]

Dunstable, John, [1390-1453]

______, Complete works, (ed.) by M.F. Bukofzer, [Musica Britannia] 8 (1953)

Duric, M., Music Theory and Compositional Practice in England, c.1660-c.1730, Ph.D.(thesis), King's College, University of London, [In progress]

Durost, B.J., The Academic and Court Odes of William Croft (1678-1727), DMA(thesis), Claremont Graduate School,CA (1997)

Dussauze, H., Captain Cooke and his Choir-boys, Ph.D.(thesis) University of Paris, Sorbonne, France (1911)

Dutka, J., Music in the English Mystery Plays, Ph.D.(thesis), University of Toronto, (1972)

Dutton, R.,(ed.), Jacobean and Caroline Masques (1981)

______, Mastering the Revels. The Regulation and Censorship of English Renaissance Drama (1991)

 

 

E

 

Easson, D.E., Medieval Religious Houses in Scotland (1957)

East, Thomas [ ], The Whole Book of Psalms: With Their Wonted Tunes, Harmonized in Four Parts ... (1592), Rimbault, E.F.,(ed.), 1844

______, Psalmes (1594)

Eaton, F.A., The Origins of Cantus Firmus Used in English Magnificats from the Fourteenth to the Seventeenth Centuries, D.M.A. Performance, Choral Conducting, University of Washington, (1987)

Ebsworth, J.W.,(ed.), The Bagford Ballads (1877-1878)[2 vols.]

Edahl, A.S., The Use of Pre-Existing Material in the Early Tudor Mass Cycle, Ph.D.(thesis), University of Wisconsin-Madison, WI (1993)

Edgar, T.A., The History and development of the English catch, Ph.D.(thesis), Monash University, (1997)

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Edwards, F.G., "A Famous Music Printer, John Day, 1522-1584", Musical Times 47,1906

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______, "The Tenbury and Ellesmere Partbooks: New Findings on ManuscriptCompilation and Exchange, and the Reception of the Italian Madrigal in Elizabethan England", Music and Letters 73, 1992

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Hamm, C., "The motets of Lionel Power", In Studies in Music History: Essays for Oliver Stuck (1968)

______, "A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts", [Musical Disciplina] 22 (1968)

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Hansard, M., The Vocal Polyphonic Style of the Latin Church Music of Thomas Tallis (ca. 1505-1585), D.M.A.(thesis), University of Kentucky, (1971)

Hantelmann, G., How to Play the Crumhorm, Cornamusa and Curtall (1975)

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Harding, R.M., Origins of Musical Time and Expression (1938)

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______, The Harpsichord: An Introduction to Technique, Style, and Historical Sources (1954)

Harley, J.

______, "Music and Musicians in Restoration London", Musical Quarterly 40,1954

______, Music in Purcell's London: The Social Background (1968)

______, "Music at the English Court in the Eighteenth and Nineteenth Centuries", Music and Letters 1,1969

______, Seven suites/Jeremiah Clarke; Newly Transcribed and Edited from Choice lessons for the Harpsichord or Spinett (1711) and the Manuscript Sources [Early Keyboard music] K39, (1984)

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______, British Harpsichord Music (1992-94)[2 vols.]

______, William Byrd: Gentleman of the Chapel Royal (1997)

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Harmon, R., "Studies in the Cambridge Manuscripts I: Musica", Lute Society Journal 38,1998

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______, "Distribution of the Consort Music of Orlando Gibbons in Sixteenth-Century Sources",Chelys 12,1983

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Harper, S., "The Bangor Pontifical: A Pontifical of the Use of Salisbury", Welsh Music History 2,1997

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______, "The Eton Choirbook: its Background and Contents", Annales Musicologiques 1,1953

______, "The Eton College Choirbook (Eton College MS 178)", In International Musicological Society: Report of the 4th Congress, Utrecht 1952 (1952)

______, (ed.), Eton Choirbook, vol. 3 (1973) ed. by M. Williamson. [Musica Britannica] 10-12 (1956-61; rev.1973, 2010)

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______, Music in Medieval Britain (1958;1963;1980)

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Harvey, B.W., The Violin Family and Its Makers in the British Isles: An Illustrated History and Directory (1995;2004)

Harvey, D.R., Henry Playford: A Bibliographical Study, Ph.D.(thesis), Victoria University of Wellington, (1985)

Harvey, J., Gothic England (1947-48)

Harwood, I., "The Origins of the Cambridge Lute Manuscripts", Lute Society Journal 5,1963

______, "Rosseter's Lessons for Consort of 1609", Lute Society Journal 7,1965

______, "Thomas Robinson's Generall Rules", Lute Society Journal 20,1978

______, "A Case of Double Standards? Instrumental Pitch in England c.1600", Early Music 9,1981

Hassall, H.G., and W.O., The Douce Apocalypse (1961)

Hauge, M., "Dowland and his Time in Copenhagen, 1598–1606", Early Music> 41,2013

Hawkins, Sir John [1719-1789], A General History of the Science and Practice of Music (1776) [5 vols.)

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______, Supplement to General History of ... Music (1776)

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Hayes, G., The Treatment of Instrumental Music (1928)

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______, A History of Performing Pitch: The Story of "A", (2002)

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Haynes, G.R., Musical Instruments and Their Music 1500-1700: The Viols, and other Bowed Instruments, Vol.2 (1930)

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Heartz, ?, "An Elizabethan Tutor for the Guitar", Galpin Society Journal 16,1962

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Hefling< S.E., Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music: Notes Inegales and Overdotting (1993)

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Helgerson, R., Self-Crowned Laureates: Spenser, Jonson,Milton and the Literary System (1983)

Heller, W., "A Present for the Ladies: Ovid, Montaigne, and the Redemption of Purcell's Dido", Music & Letters, 84,2003

______, Frich, W., (eds.), Music in the Baroque (2013)

Helms, D., Heinrich VIII. und die Musik. Überlieferung, musikalische Bildung des Adels und Kompositionstechniken eines Königs, Ph.D.(thesis), Münster, (1995)

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Hendrie, G., "The Keyboard Music of Orlando Gibbons (1583-1625)", Proceedings of the Royal Musical Association 89,1962-63

______, Orlando Gibbons, Keyboard Music [Musica Britannica] 20,(1967)

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______, 'To Fill, Forebear, or Adorne':The Organ Accompaniment of Restoration Sacred Music. [Royal Musical Association Monograph] 14,2006

______, "Robert Pindar, Thomas Busby, and the Mysterious Scoring of Henry Purcell's "Come Ye Sons of Art", Music & Letters 88,2007

______, (ed.), Synopsis of Vocal Music by A.B. Philo-mus (2006)

Hesbert, R-J, "The Sarum Antiphoner-Its Sources and Influences", JPMMS 3,1980

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Hickman, J.E., A Conductor's Analysis of Selected Anthems by Orlando Gibbons, D.M.A.(thesis), Indiana University, (1981)

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Higden, R., Polychronicon Ranulph Higden Monachi Cestrensis: Together with the English Translations of John Trevisa and of an Unknown Writer of the Fifteenth Century, 9 vols., (ed.) Churchill Babington and Joseph Rawson Lumby, Rerum Britannicarum medii aevi scriptores, vol. 41 (1869-71)

Higney, J.J., Henry Purcell: A Reception/Dissemination Study, 1695–1771, Ph.D.(thesis), University of Western Ontario, (2008)

Hiley, D., Western Plainchant: A Handbook (1993;1995)

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______, God;s Gentleman: Oliver Cromwell and the Englisg Revolution (1970)

______, The World Turned Upside Down: Radical Ideas during the English Revolution (1971)

Hill, G.A., Henry Lawes, The Orpheus and Aesculapius of English Music in the Seventeenth Century: A Study of the Liturgy, Historical and Musical Significance of his Song-Books, Ph.D.(thesis), University of Kentucky, (1967)

Hill, G.H., and Stephens, N.L., Collected Editions, Historical Series & Sets, & Monuments of Music: a Bibliography (1997)

Hill, J.W., Baroque Music: Music in Western Europe, 1580-1750 (2005)

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Hipkins, A.J., [ ]. Musical Instruments, Historic, Rare and Unique (1885) 1945)

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Hodge, J.B., English Harpsichord Repertoire: 1660-1714 [3 vols.], Ph.D.(thesis) Manchester University, (1989)

Hodges, A.,(comp.) and Raymond, M.,(ed.), The British Union Catalogue of Music Periodicals (1985)

Hofman, M., The Survival of Latin Sacred Music by English Composers, 1485-1610, Ph.D.(thesis), Oxford University, (1977)

Hofman, M., Latin music in British Sources, c.1485-c.1610 compiled by May Hofman and John Morehen, [Early English Church Music] Suppl. v.2,1987

Hogwood, C., Music at Court (1980)

______, "Creating the corpus: The complete keyboard music of Henry Purcell", In The Keyboard in Baroque Europe, (2003)

______, Handel (2007)

______, "John Dowland on the keyboard", Early Music 41,2013

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______, Complete works, (1967)

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Holman, C.W., John Day's Certaine Notes (1560-65), Ph.D.(thesis), University of Kansas, (1991)

Holman, P.,

______, "The Jonsonian Masque", Music and Letters 55,1974

______, "Continuo realizations in a Playford songbook", Early Music 6,1978

______, "New Sources of Music by Robert Johnson", Lute Society Journal 20,1978

______, (ed.), Fantasia de Sei Soprani by William Daman (1981)

______, (ed.), The Royal Wind Music, Vol. I: Pavans and Gallards in 5 Parts by Augustine Bassano (1981)

______, (ed.), The Royal Wind Music, Vol. II: Four Fantasias in 5 Parts Jerome Bassano (1981)

______, (ed.), The Royal Wind Music, Vol. III: The Suites of Charles Coleman and Nicholas Lanier in Five Parts (1982)

______, Seven Dances from the Court of Henry VIII (1983)

______, "The Harp in Stuart England", Early Music 15,1987

______, Four and Twenty Fiddlers: The Violin at the English Court,1540-1690 [Oxford Monographs On Music] (1993)

______, Henry Purcell (1995)

______, "Performance in context: Compositional choices in Henry Purcell's Three Parts upon a Ground", Early Music 29,2001

______, From Renaissance to Baroque (2002)

______, Pratt,G., and Holman P., (eds.), A Performer's Guide to Music of the Baroque Period (2002)

______, The Keyboard in Baroque Europe (2009)

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______, Life after Death: The Viola de Gamba in Britain from Purcell to Dolmetsch (2010)

_____ , Performing 17th-Century Music (2013)

______, Life After Death: The Viola da Gamba in Britain from Purcell to Dolmetsch (Music in Britain, 1600-1900)(2013)

______, "Before the Baton: a preliminary report", Early Music 41,2013

______, "A Purcell manuscript lost and found", Early Music 40,2012

Holland, R.J.T., The Madrigals of Peter Philips, MA(thesis), University of Sydney, (1962)

Holman, P., Henry Purcell (1994)

______, "Compositional Choices in Henry Purcell's Three parts upon a ground", Early Music, 29,2001

Holmes, D., Italian Monody in Early Seventeenth-Century England, Ph.D.(thesis), University of Illinois at Urbana-Champagne [In progress]

Holmes, Matthew [d.1621], The Mathew Holmes Manuscripts" Cambridge University Library Ms.Dd.2.11, [1590?], Introduction and Inventory by John H. Robinson, with textual commentary by Stewart McCoy, with tablature supplement, [The Lute Society Facsimiles 7], (2010)[2 vols.]

Holsinger, B,W., "The Vision of Music in a Lollard Florilegium: Cantus in the Middle English Rosarium theologie (Cambridge, Gonville and Caius College MS 354/581)", Plainsong and Medieval Music 8,1999

Holst, G., "The Tercentenary of Byrd and Weelkes", Proceedings of the Musical Association 49,1922-23

______, "My Favorite Tudor Composer", Midland Musician 1,1926

Holst, I., (ed.), Henry Purcell, 1659-1695 (1959)

Hopkins, E.J., [ ], The English Mediaeval Church Organ (1888)

______, and Rimbault, E.F., [ ], The Organ, Its History and Construction (1877)

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Hoppe, H., "John Wolfe, Printer and Publisher, 1579-1601", The Library, 4th ser., 14,1933

Hoppe, H.R., "John Bull in the Archduke Albert's service", Music and Letters 35,1954

Hoppin, R.H.,(ed.), Anthology of Medieval Music (1978)

______, Medieval Music (1978)

Hoskins, E., Horea Beatae Mariae Virginis or Sarum and York (1901)

Houck, S.J., Decoding Musical Resistance: English Vocal Music in the Service of the King, 1625-1660, Ph.D.(thesis), University of Illinois at Urbana-Champagne, (2005)

Houle, G., Meter in Music, 1600-1800: Performance, Perception, and Notation (1987)

Howard, A., "Constructing Croft", Early Music 41,2013

Howes, F., William Byrd (1928)

Hubbard, F., Three Centuries of Harpsichord Making (1965)

______, The New Oxford History of Music III: Ars Nova and the Renaissance 1300-1540 (1960)

Hudson, H.A., "Organs and Organists of the Cathedral and Parish Church of Manchester", Transactions of the Lancashire and Cheshire Antiquarian Society 34,1917

Hudson, R., The Allemande, the Balletto, and the Tanz (1986)

Hufstader, A.A., "Samuel Pepys, Inquisitive Amateur", Musical Quarterly 54,1968

Hughes, Dom Anselm,[ ]

______, "Sixteenth Century Service Music: The Tudor Church Music Series", Music and Letters 5,1924

______, "Old English Harmony", Music and Letters 6,1925

______, "The Eton Manuscript", Proceedings of the Royal Musical Association 1926-7

______, "Music in the Chapel of King Henry VI", Proceedings of the Musical Association 60,1933

______, "Background to Roy Henry Music", Musical Quarterly 27,1941

______, "Music of the Coronation over a Thousand Years", Proceedings of the Royal Musical Association 79,1952–53

______, The Works of Robert Fayrfax", Music and Letters 30,1949

______, Medieval Polyphony in the Bodleian Library (1951)

______, "An Introduction to Fayrfax",[Musica Disciplina] 6 (1952)

______,

______, (ed.), Catalogue of the Music Manuscripts at Peterhouse, Cambridge (1953)

______, "Continuity, Tradition and Change in English Music up to 1600", Music and Letters 46,1965

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______, "The Choir in Fifteenth-Century English music: non-mensural Polyphony", In, Essays in Musicology in Honor of Dragon Plamenac on his 70th birthday, (eds.) G. Reese and R.J. Snow (1969)

______, and Bent, M., "The Old Hall Manuscript: an Inventory" [Musica Disciplina] 21 (1967)

______, and Bent, M.,(eds.), The Old Hall Manuscript [Corpus Mensurabilis Musicae] 46,(1969-73)

______, Musical Manuscripts for Mass and Office: a Guide to their Organization and Terminology (1982)

Hughes, C.W., "Porter, Pupil of Monteverdi", Musical Quarterly 20,1934

Hughes, P., The Reformation in England, I (1950)

Hughes-Hughes, A., Catalogue of Manuscript Music in the British Museum (1906-09)

Huizinga, J., The Waning of the Middle Ages (1954)

Hulse, L., "John Hingeston", Chelys 12,1983

______, "Sir Michael Hickes (1543-1612): a study in musical patronage", Music and Letters 66,1985

______, "The Musical Patronage of Robert Cecil, fourth Earl of Salisbury (1563-1612)", Journal of the Royal Musical Association 116,1991

______, Musical Patronage of the English Aristocracy c.1590-1640, Ph.D.(thesis), University of London, (1993)

______, "Apollo's Whirligig: William Cavendish, Duke of Newcastle and his musical collection, The Seventeenth Century 9,1994

Humphreys, D., "Philip van Wilder: A Study of his Work and its Sources",Soundings 9, 1979-80

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Humphreys, D.L., Aspects of the Elizabethan and Jacobean Polyphonic Motet, with Particular Reference to the Influence of Alfonso Ferrabosco the Elder on William Byrd, Ph.D.(thesis), University of Cambridge, (1976)

Humphries, C., and Smith, W.C., Music Publishing in the British Isles from the Beginning until the Middle of the Nineteenth Century (1970)

Hunt, E., The Recorder and Its Music (1977)

Hunt, J.E., [ ],Cranmer's First Litany, 1544, and Merbecke's Booke of Common Prayer Noted, 1550 (1939)

Hunter, D., "The Keyboard music of Hugh Facy", Harpsichord and Fortepiano Magazine 4,1989

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______, "My Ladye Nevells Booke and the Art of Gracing", In Byrd Studies, (eds.) Brown, A., and Turbet, R., (1992)

______, Opera and Song Books Published in England 1703-1726, a Descriptive Bibliography (1997)

Husted, B.F., The Brass Ensemble: Its History and Music, Ph.D.(thesis), University of Rochester (1955)

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Huws, D., "Notes on the Robert ap Huw Manuscript", Welsh Music History v. 6,(19??)

 

 

I

 

Illing, R., "Barley's Pocket Edition of Est's Metrical Psalter", Music and Letters 49,1968

______, "Est-Barley-Ravenscroft and the English Metrical Psalter", Music and Letters 49,1968

______, Est's Psalter (1969)

______, "A Metrical Trinity: Est, Barley, Ravenscroft", Musical Times 110,1969

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Ingram, W., The Business of Playing: The Beginning of the Adult Professional Theater in Elizabethan London (1992)

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Irving, John

______, "Consort playing in mid-17th-Centurey, Worcester: Thomas Tomkins and the Bodleian Partbooks Mus., Sch.E.415-18", Early Music 12,1984

______, "Oxford, Christ Church MSS 1018-1020; a Valuable Source of Tomkin's Consort Music",The Consort 40,1984

______, "Keyboard Plainsong Settings by Thomas Tomkins", Soundings 13,1985

______, Instrumental music of Thomas Tomkins (1572-1656), Ph.D.(thesis), Sheffield University (1989)

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______, "Thomas Tomkins's Copy of Morley's "A Plain and Easy Introduction to Practical Music", Music and Letters 71,1990

______, "Byrd and Tomkins: the instrumental music", In Byrd Studies, Brown, A.,and Turbet, R.,(eds.) (1992)

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Jackman, J., "Liturgical Aspects of Byrd's 'Gradualia", Musical Quarterly 49,1963

Jacobs, E.F., "On the Promotion of English University Clerks in the Late Middle Ages", Journal of Ecclesiastical Historyy 1,1950

Jacobson, D., "Thomas Morley and the Italian Madrigal Tradition: A New Perspective", Journal of Musicology 14,1996

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James, K.E., Concert life in eighteenth-century Bath, Ph.D.(thesis), Royal Holloway, University of London [In process]

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______, "Organs and Organists in the College Accounts", Etoniana 24,1919

______, A Descriptive Catalogue of the Latin Manuscripts in the John Rylands Library at Manchester (1921)

______, The Dublin Apocalypse (1932)

______, and Millar, E.G., The Bohun Manuscripts (1936)

James, P., Early Keyboard Instruments (1941)

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James, P.H., A Study of the Verse Anthem from Byrd to Tomkins, Ph.D.(thesis), University of Cardiff, (Wales) (1968)

______, "Thomas Tomkins: Sacred Music omitted from Musica Deo sacra", Soundings 2,1971

______, " Sacred Music omitted from Musica Deo sacra", In Thomas Tomkins: The Last Elizabethan (2005)

James, S.E., "Nicholas Lanier: A Greenwich Notable, Part 1: 1588-1612"Journal of the Greenwich Historical Society 1,1992

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______, "The Lute Music of Anthony Holborne: a Lecture Recital", Proceedings of the Royal Musical Association 93,1966-67

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______, "Thomas Lupo Revisited - Is Key the Key to his Later Music?", Chelys 12,1983

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_____, P., [Another edition] [Yale Studies in English] 179, (1972)

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Jones, A., The Life and Works of Martin Peerson, Ph.D.(thesis), Cambridge University, (1957)

Jones, E.H., "The Theorbo and Continuo Practice in the Early Baroque", Galpin Society Journal 25,1972

______, The Performance of English Song, 1610-1670 (1989)

Jones, R., English Keyboard Music, 1663-1702 (1990)

Jones, S.K., Violin music in England in the late 17th century: as displayed through the life and works of Nicola Matteis-father and son, Ph.D.(thesis), University of York, [In progress]

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Jonson, Ben.[ ], The Complete Masques (1969)

Jorgens, E.B., ”Let Well-Tun'd Words Amaze”: Attitudes toward Poetry in English Solo Song from John Dowland to Henry Lawes, Ph.D.(thesis), City University of New York, (1975)

______, (ed.), English Song, 1600-1675: Facsimiles of Twenty-Six Manuscripts and an Edition of the Texts, (12 vols.,1986-89)

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______, (ed.), The Beginnings of the Modern Philosophy of Music in England: Francis North's A Philosophical Essay of Musick (1677) with Comments of Isaac Newton, Roger North and in the Philosophical Transactions (2004)

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______, The Beginnings of the Modern Philosophy of Music in England (2004)

______, (ed.), The Music Trade in Georgian England (2011)

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______,"A Cambridge Manuscript from the English Chapel Royal",Music and Letters 43,1961

______, "Blow, Purcell, and the Exeter Choristers", Musical Opinion 87 (1963-1964)

______, "Musical Life in Durham Cathedral",Musical Opinion 87, 1963-1964

______, "Thomas Morley of Norwich", Musical Times 106,1965

______, "William Byrd of Lincoln", Music and Letters 48,1967

______, The Harpsichord music of John Blow: a first catalogue (1980)

______, The Succession of Organists of the Chapel Royal and the Cathedrals of England and Wales from c.1538 ... (1991)

Shay, R.S., Henry Purcell and "Ancient" Music in Restoration England, Ph.D.(thesis), University of North Carolina at Chapel Hill, (1991)

______, (ed.), Henry Aldrich (1647-1710), Selected Anthems and Motet Recompositions [Recent Researches in the Music of the Baroque Era] 85

______, "Dryden and Purcell's King Arthur: Legend and politics on the Restoration Stage', In King Arthur in Music, Richard W. Barber, (ed.), [Arthurian Studies] 52 (2002)

______, "Bass parts to an Unknown Purcell Suite at Yale", Notes: Quarterly Journal of the Music Library Association, 57,2001

______, and Thompson,R., Purcell Manuscripts: The Principal Musical Sources (2000)

Shephard-Smith, A., The Lute Music of Thomas Mace from Musick's Monument (1676), Ph.D.(thesis), [In progress]

Shepherd, J.H., The Changing Theological Concept of Sacrifice, and Its Implications for the Music of the English Church c.1500-1640, Ph.D.(thesis), Cambridge University, (1984)

Sheppard, E., Memorials of St James's Palace (1894)

Sherwood, R., The Court of Oliver Cromwell (1977)

Shire, H.M., Song, Dance and Poetry of the Court of Scotland under King James VI [of Scotland], (ed.) by K. Elliott (1969)

Short, R., The Theorbo and Guitar as continuo instruments, Ph.D.(thesis), King's College, University of London, [In progress]

Simpson, Christopher [c.1605-1669], The Division-Violist; or, an Introduction to the Playing on a Ground: Divided into Two Parts ... To which, are Added some Divisions made upon Grounds for the Practice of Learners (1659), (1955 rep.)

______, The Principles of Practical Musick (1665)

______, A Compendium, or Introduction of Practical Musick in five parts (1665;1678;1706)

______, Chelys, Minuritionum Artificio Exornata: sive, Minuritiones ad Basin, etiam Extempore Modulandi Ratio, etc. - The Division-Viol, or The Art of Playing Extempore upon a Ground. Divided into Three Parts (1665,1667)

Simpson, C.M., The British Broadside Ballad and its Music (1966)

Sinclair, W.M., The Chapels Royal (1912)

Sinclair-Stevenson, C., Blood Royal: The Illustrious House of Hanover (1979)

Skinner, D., "At the Mynde of Nycholas Ludford": New Light on Ludford from the Churchwardens' Accounts of St. Margaret's Westminster", Early Music 22,1994

______, Nicholas Ludford (c.1490-1557): a Biography and Critical Edition of the Antiphons, with a Study of the Collegiate Chapel of the Holy Trinity, Arundel, under the Mastership of Edward Higgons, and a History of the Caius and Lambeth Choirbooks, Ph.D. (thesis), University of Oxford, (1995)

______, "Princes, Ambassadors and Lost Choirbooks of Early Tudor England " Early Music 40,2012

Slatyer, William, [ ], Psalms, or Songs of Zion, Turned into the Language, and Set to the Tunes of a Strange Land (1630)

Sleeper, W.A., Harmonic Style of Four-Part Viol Music of Jenkins, Locke, and Purcell, Ph.D.(thesis, University of Rochester, (1954)

de Smet, R., Published Music for the Viola da Gamba and other viols ... (1971)

Smith, A., "Parish Church Musicians in England in the Reign of Elizabeth I", Royal Musical Association Research Chronicle 4,1964

______, "The Gentlemen and Children of the Chapel Royal of Elizabeth I: an Annotated Register",Royal Musical Association Research Chronicle 5,1965

______, The Practice of Music in English Cathedrals and Churches, and at the Court, during the Reign of Elizabeth I, Ph.D.(thesis), University of Birmingham, (1967)

Smith, A., The Performance of 16th-Century Music: Learning from the Theorists (2011)

Smith, B.G., John Dunstable and Leonel Power: A Stylistic Comparison, Ph.D.(thesis), University of Sheffield, (1993)

Smith, B.G., Stylistic Analysis of the Music of Early Fifteenth-Century English Composers, Ph.D.(thesis), University of Sheffield, [In Progress]

Smith, H., "Whose heavenly touch doth ravish human sense ... ", Early Music 41,2013

Smith, J., Dance in Genteel Society: England 1560-1630, Ph.D.(thesis), University of Manchester, (1982)

______, "The Art of Good Dancing - Noble Birth and skilled nonchalance, England 1580-1630, Historical Dance 2,1986-7

Smith, J.L., The Career of Thomas East, Elizabethan Music Printer and Publisher, Ph.D.(thesis), University of California Santa Barbara,CA (1997)

______, and Ogdon, D., Thomas East and Music Publishing in Renaissance England (2003)

Smith, J.S.,[ ]. Musica Antiqua (1812)

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Smith, K.E., Music for Voices and Viols: A Contextual Study and Critical Performing Edition of Verse Anthems in Christ Church (Oxford) MSS 56-60., D.M.A.(thesis), University of Illinois at Urbana-Champaign, (1988)

Smith, M.E., Word-Setting in the English Madrigal and Consort Song of he Late Sixteenth and Early Seventeenth Centuries, Ph.D.(thesis), Cambridge University, (1976)

Smith, W.C., "Playford: Some Hitherto Unnoticed Catalogues of Early Music", Musical Times 67,1926

______, A Bibliography of the Musical Works published by John Walsh during the years 1695-1720 (1948)

Smithers, H.E., "A History of the Oratorio in the Baroque Era: Pretestand Germany and England" (1977)

Smoldon, W.L., "Medieval Lyrical Melody and the Latin Church Dramas", Musical Quarterly 51,1965

Snyder, K.J., The Organ as a Mirror of its Time: North European Reflections, 1610-2000, (2002)

Southern, A.C., Elizabethan Recusant Prose, 1559-82, (1950)

Southey, R., Music-making in North-east England During the Eighteenth Century (2006)

Southgate, T., The Regal and its successors" In English Music (1911)

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Southworth, J., The English Medieval minstrel(1989)

______, Fools and Jesters at the English Court(1989)

Sparks, E.H., Cantus Firmus in Mass and Motet 1420-1520 (1963)

Sparks, P., The English Mandolin (1989)

Spearitt, G,D.,"The Consort Songs and Madrigals of Richard Nicholson", Musicology 2,1965-76

Spector, I., Robert White, Composer: Between Two Eras, Ph.D.(thesis), New York University, (1952)

Spencer, R., [ ], "Performance Style of the English Lute Ayre c.1600", Lute 1984

*

______, (ed.), The M.L. Lute Book, c.1610-40, London, [British Library, Additional MS 38539], Generally Known as John Sturt's Lute Book Reproduced Four-fifths Original Size (1985)

Spink, I.,

______, "Lanier in Italy", Music and Letters 40,1959

______, (ed.), Robert Johnson: Ayres, Songs and Dialogues, English Lute-Songs Ser. II, 17,1961

______, (ed.), Greaves, Mason, Earsden: Songs (1604) and Ayres (1618), English School Of Lute Song Writers 2nd ser. v.18 (rev. ed.), 1963

______, (ed.), Alfonso Ferrabosco: Manuscript Songs, English Lute-Songs Ser. 2, 19 (1966)

*

______, English Song, Dowland to Purcell (1974)

______, (ed.), English Songs, 1625-1660 [Musica Britannica] 35,1977

______, (ed.), Blackwell History of Music in Britain, 1988-92

______, Choice Ayres, Songs, and Dialogues (1673): Originally published by John Playford, London, [Music for London Entertainment 1660-1800, Series A, Music for Plays 1660-1714, [v. 5a-b] (1989)

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______, Purcell: A Song for the Duke of Gloucester's Birthday, 1695, Purcell Society Edition 4,1990

______, Restoration Cathedral Music, 1660-1714, (1995)

______, Henry Lawes, Cavalier Songwriter (2000)

______,"Purcell's Music for The Libertine", Music & Letters, 81,2000

Spitzer, J., and Zaslaw, N., The Birth of the Orchestra: History of an Institution, 1650-1815

Spring, M., The Lute in Britain: a History of the Instrument and its Music (2001)

______, "Benjamin Milgrove, the Musical 'Toy Man', and the 'Guittar' in Bath 1757-1790", Early Music 41,2013

Squire, W.B.,

______, "On an Early Sixteenth Century MS. of English Music in the Library of Eton College", Archaeologia 56,1898

______, "Notes on an Undescribed Collection of English 15th Century Music", [Sammelbände de Internationale Musik-Gesellschaft] 2,1901

______, "Notes on Dunstable", [Sammelbände de Internationale Musik-Gesellschaft] 5,1904

______, Catalogue of Printed Music in the Library of the Royal College of Music, London (1909)

______, Catalogue of Printed Music between 1487 and 1800 and now in the British Museum (1912)[2 vols.]

Stainer, C., "Dunstable and the Various Settings of 'O Rosa Bella'", [Sammelbände de Internationale Musik-Gesellschaft] 2,1900

Stainer, John, [1840-1901], Catalogue of English Song Books : forming a Portion of the Library of Sir John Stainer, (1977)

Statham, H., (ed.), Forty Rounds & Catches collected by Thomas Ravenscroft in 1609 : for 3. 4. 5. 6. 7. 8. 9. 10 voices (1925)

Statterfield, J., The Latin Church Music of Christopher Tye, Ph.D.(thesis),(1962)

Stauffer, G.B., (ed.), The World of Baroque Music: New Perspectives (2007)

Steele, H.J., English Organs and Organ Music from 1500 to 1650, Vol. 1, Ph.D.(thesis), Cambridge University, (1958)

______, An Anthology of Early English Organ Music, Vol. 2, Ph.D.(thesis), Cambridge University, (1958)

Steele, J., and Cameron, F., John Bull: Keyboard Music I-II, [Musica Britannica] 14,19 (1960?-)

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Steele, M.S., Plays and Masques at Court During the Reigns of Elizabeth, James and Charles (1986)

Steele, Robert, [1860-1944], The Earliest English music printing: a Description and Bibliography of English printed Music to the close of the Sixteenth Century (1903)

Stephens, J., "Rounds and Canons from an Early Tudor Song Book", Music & Letters, Jan 1951

______,(ed.), Medieval Carols, [Musica Britannica] 4 (1958)

Sternfeld, F.W.,

______, "Lasso's Music for Shakespeare's Samingo", Shakespeare Quarterly 9, 1958

______, Music in Shakespearean Tragedy (1963)

Sternhold, Thomas [ ] and Hopkins, John [ ] The Whole Booke of Psalmes, Collected into Englysh Metre (1562); [STC 2430]

*

______, The Whole Booke of Psalmes, Collected into Englishe Metre by Thomas Sternhold, Iohn Hopkins and Others, Conferred with the Ebrue, with apt Notes to sing them withall (1572); [STC 2442]

*

Stevens, D., (ed.), The Mulliner Book: a Commentary, [Musica Britannica] I, (1951;1973)

______, "Pre-Reformation Organ music in England ", Proceedings of the Royal Musical Association 78,1951

______, Medieval Carols [Musica Britannica] 4, (1952)

______, "The Keyboard music of Thomas Tallis", Musical Times 93,1952

______, (ed.), The Mulliner Book : a Commentary (1952,1973)

______, A Unique Tudor Organ Mass, (Philip ap Rhys), [Musica Disciplina] 6,1952

______, (ed.), Altenglische Orgelmusik (1953)

______, "The Background of the In Nomine", Monthly Musical Record 84,1954

______, "Processional Psalms in Faburden",[Musical Disciplina] 9,1955

______, Thomas Tomkins (1957)

______, "Thomas Preston's Organ Mass", Music and Letters 39,1958

______, Music and Poetry in the Early Tudor Court (1961)

______, Tudor Church Music (1961,1966)

______, Music at the Court of Henry VIII, [Musica Britannica] 18,1962

______, The Treasury of English Church Music, Vol. 1, 1100-1545 (1965)

______, (ed.), Early Tudor Organ Music. II: Music for the Mass [Early English Church Music] 10,1969

______, "The Music of Thomas Tomkins", In Thomas Tomkins: the last Elizabethan (2005)

Stevens, J.,(ed.), Medieval Carols, [Musica Britannica] 4 (1952)

______, (ed.), Music at the Court of Henry VIII, [Musica Britannica] 18 (1962)

______, "Shakespeare and the Music of the Elizabethan Stage; An Introductory Essay ", In Shakespeare in Music, , (ed.) P. Hartnoll

______, Music and Poetry in the Early Tudor Court (1979)

______, (ed.), The Later Cambridge Songs (2005)

Stevens, J.E., "Carols and Court Songs of the Early Tudor Period", Proceedings of the Royal Musical Association 77,1950-1

______, Early Tudor Songbooks, [Unpublished] Ph.D.(thesis), Cambridge University, (1952

______, "Rounds and Canons from an Early Tudor Songbook", Music and Letters 32,1951

______, Music and Poetry in the Early Tudor Court(1961)

Stevenson, R., "John Marbeck's "Noted Booke" of 1550", Musical Quarterly 37,1951

Stillingfleet, Benjamin,[ ], Principles and Power of Harmony (1771)

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______, Thomas Morley's 'Plaine and Easie' Introduction to the Modes, [Musica Disciplina] 6,1952

Stokes, E., (ed.), "Lists of the Kings Musicians", Musical Antiquary, [1-55;1909-1913]

Stoltzfus, I.H., The Lyra Viol in Consort with other Instruments, Ph.D.(thesis), Louisiana State University & Agricultural & Mechanical College, 1982

Stone, L., Crisis in the Aristocracy: 1588-1641 (1965)

Stopes, C.C., "William Hunnis and the Revels of the Chapel Royal", In Materialen zur Kunde des alteren englishen Dramas 29,1910

Stoltzfus, I.H., The Lyra Viol in Consort with Other Instruments, Ph.D.,(thesis), Louisiana State University, (1982)

Strahle, G., Fantasy and Music in Sixteenth- and Seventeenth-Century England", Chelys 17,1988

______, An Early Music Dictionary: Musician Terms from British Sources 1500-1740 (1995)

Strdling, R., and M. Hughes, The English Musical Renaissance (1993)

Streatfield, R.A., Handel (1909

Strohm, R., The Rise of European Music 1380-1500 (1993;1996)

______, and Blackburn, B.J., (eds.), Music as Concept and Practice in the Late Middle Ages (2001)

Strong, R., Henry Prince of Wales and England's Last Renaissance (1986)

Stroud, W.P., The Ravenscroft Psalter (1621), Ph.D(thesis), University of Southern California, CA (1959)

Strunk, O., Source Readings in Music History (1950)

Strutt, Joseph, [ ], Sports and Pastimes of the People of England(1801), (ed.), J.C. Cox,(1903)

Sturgess, K., Jacobean Private Theatre (1987)

Sullivan, M., My Masters in the Parish: Religious Practice and Parish Government in St Dunstan's in the West, London c.1520-1558, MA(thesis), University of London, UK (1993)

Summers, W.J., English Fourteenth-Century Polyphony (1983)

______, "English Fourteenth-Century Polyphonic Music: An Inventory of the Extant Manuscript Sources", Journal of Musicology 8,1990

Sumner, W.L., The Organ: Its Evolution, Principles of Construction and Use (1973,rev.)

______, The Organs of Saint Paul's Cathedral (1931)

Summers, W.J., English Fourteenth-Century Polyphony: Facsimile Edition of Sources Notated in Score, edited by William J. Summers, 1983

Sutton, F.H., A Short Account of Organs Built in England from the Reign of Charles II to the present time (1847)

Sweeting, E.T., "The Organs of Winchester Cathedral and College", The Organ 4,1924-25

Swinburn, L.M., (ed.), The Lanterne of Lizt [The Lantern of Light], edited from Ms. Harl. 2324, [Early English Text Society], Orig. ser. 151 (1917)

Switten, M. and Howell C.,(eds.), The Medieval Lyric: Anthologies and Cassettes for Teaching (1988-9)

 

 

T

 

Tallis, Thomas, [1505(?)-1585]

______, Te Deum : in Five Parts ; Reconstructed and Edited by Edmund H. Fellowes. [Tudor Church Music] 72,1972

______, Laudate Dominum; edited by Alan Brown [Tudor Church Music] 129 (1991)

______, O Salutaris Hostia; edited by John Milsom [Tudor Church Music] 130 (1991)

______, The Lamentations of Jeremiah : S.A.A.T.B.; edited by Philip Brett [Tudor Church Music] 47b,1995

Tam, G.T., The Penitential Theology of Henry Purcell as Expressed in his Sacred Songs, Ph.D.(thesis), UC Los Angeles, CA (2005)

Tarrant, F.A., John Blow's Verse Anthems with Organ Accompaniment, Ph.D.(thesis), Indiana University, Bloomington, IN (2000)

Tatton-Brown and Martimer, R.,(eds.), Westminster Abbey: The Lady Chapel of Henry VII (2003)

Tayler, D., The Solo Lute Music of John Dowland, Ph.D.(thesis), University of California at Berkeley, (1992)

Taylor, C.M., Italian Opera Going in London, 1700-1745, Ph.D.(thesis), Syracuse University, (1991)

Taylor, P.W., Music and Recusant Culture: The Paston Manuscript Collection and William Byrd's Songs, Ph.D.(thesis), University of Lancaster, (2008)

Taylor, R. A-M., Musicians in the Elizabethan and Jacobean Cultures of Surveillance, 1570-1612: Patronage re-defined, Ph.D.(thesis), McGill University [In progress]

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Taylor, W., "Robert ap Huw's Harp Technique", Welsh Music History 3,(1970)

Tegnell Jr., J.C., Elizabethan Musical Prosody: A Study of the Style of the English Madrigal and Ayre, Ph.D.(thesis), Northwestern University, (1948)

Temperly, N., The Music of the English Parish Church (1979)[2 vols.]

Teo, K-S., Chromaticism in the English Madrigal, Ph.D.(thesis), Worcester College, Oxford University, (1983)

______, Chromaticism in the English Madrigal (1989)

Terry, C.S., "John Forbes's "Songs and Fancies", Musical Quarterly 22,1936

Terry, R.R., A Medieval Carol Book (1932)

Thomas, B. and Gingell, J., The Renaissance Dance Book (1987)

Thomas, C., "Some English Composers and their Religious Allegiances, 1550–1650", Churchman: Journal of Anglican Theology 103,1989

Thomas, K.V., Religion and the Decline of Magic ( )

*

Thompson, R., English Music Manusripts and the Fine Paper Trade, 1648-1688. [Unpublished] Ph.D.(thesis, King's College, UNiversity of London, (1988)

Thompson, R.R., English Keyboard Music c.1520-c. 1650: A Comprehensive Study of the Sources, Ph.D.(thesis), Cambridge University [In progress]

Thompson, W., "Woodcock, Robert", In The New Oxford Companion to Music. Ed. Denis Arnold. Vol. 2 (1983)

Thomson, K., The Significance of Italian Madrigals in English Sources c.1530-1650, Ph.D.(thesis), Christ Church Oxford University, [In progress]

Thornsby, F.W., Dictionary of Organs and Organists (1912)

Thorp, J., "So great a Master as Mr. Isaac: an Exemplary Dancing-Master of the Late Stuart London", Early Music 35,2007

Thorp, W., Songs from the Restoration Theater (1934)

Thumoth, Burk, [ ],Twelve Scotch, and twelve Irish airs [and Twelve English and twelve Irish airs] with variations, set for the German flute, violin or harpsichord [1748;1765?]

______, Forty eight English, Irish and Scotch airs with variations, (1748;1785)

Tilmouth, M., Chamber Music in England, 1675-1720, Ph.D.(thesis), Cambridge University, (1960)

______, "A Calendar of References to Music in Newspapers Published in London and the Provinces (1660-1719)", Royal Musical Association Research Chronicle 1,1961

______, "Revisions in the Music of Matthew Locke ", Poceedings of the Royal Musical Association 98,1971

______, "A Note on the Cost of Music Printing in London in 1702", Brio 8,1971

______, "James Sherard, an English Amateur Composer" Music&Letters 47,1966

Tillyard, E.M.W.,[1889-1962], The Elizabethan World Picture (1943;1966)

______, Elizabethan and Jacobean studies; presented to Frank Percy Wilson in honour of his Seventieth Birthday (1959;1969)

______, English Renaissance; fact or fiction?, (1968)

Tinnell, N.E., Italian Influence on Seventeenth-Century English Song, University of Louisville, 1987

Toivanen, P., "The Robert ap Huw Manuscript and the Dilemma of Transcription", Welsh Music History 3, ( )

Tomlinson, G., Monteverdi and the End of the Renaissance (1987)

______, Music in Renaissance Magic: Towards a Historiography of Others (1993)

Tompkins, Thomas [1572-1656], Pieces pour virginals: 1646-1654 (1982)

Tovey, D.F., "Thomas Weelkes", Essays in Musical Analysis 5,1937

Traficante, F., "Music for the Lyra Viol: the Printed Sources", Lute Society Journal 8,1966

Treadwell, M., "London Printers and Printing Houses in 1705", Publishing History 7,1980

Trend, J.B., "The First English Songs", Music and Letters 9,1928

Trendell, D., "Aspects of William Byrd’s musical recusancy&Quot;, Musical Times 148,2007

Trevor, C.H.,[1895-1976], (ed.), Old English Organ Music for Manuals (1966-72)

Trowell, B.L., A Fourteenth Century Ceremonial Motet and its Composer [Acta Musicologica] 29,(1957)

______, "Faburden and Fauxbourdon" [Musica Disciplina] 13,1959

______, Music under the Later Plantagenets, Ph.D.(thesis), University of Cambridge, (1960)

______, "Farburden-New Sources, New Evidence: Preliminary Survey", In Modern Musical Scholarship

Tuberville, A.S., (ed.), Johnson's England: An Account of the Life and Manners of HIs Age (1933;;1952;1956) {2 vols.]

Turbet, R., William Byrd: A Guide to Research (1986;2006)

______, Tudor Music: A Research and Information Guide (1994)

______, Richard Terry, and a Trust Vindicated", Music and Letters 76,1995

______, " A Moment of enthusiastic industry", Further Light on Tudor Church music", Music and Letters 81,2000

Turnbull, E., "Thomas Tudway and the Henrician Collection", Journal of the American Musicological Society 8,1955

Tuttle, S.D., A Study of the History of English Keyboard Music to 1623, Ph.D.(thesis), Harvard University, (1941)

______, (ed.), Thomas Tomkins: Keyboard Music, [Musica Britannia] 5 (1955)

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Tyler, J., and Sparks, P., The Guitar and Its Music: From the Renaissance to the Classical Era (Oxford Early Music Series)(1980;2002)

 

 

U

 

Ullmann, W., Liber Regie Capelle (1961)

Ulrich, J.A., The Anthems of Christopher Tye, Ph.D.(thesis) (1986)

Ursprung, O., Die Katholische Kirchenmusik (1931)

Urkevich, L., Anne Boleyn, A Music Book, and the Northern Renaissance Courts: Music Manuscript 1070 of the Royal College of Music, London, Ph.D.(thesis), University of Maryland, (1997)

 

V

 

Van Ess, D.H., The Stylistic Evolution of the English Brass Ensemble, Ph.D.(thesis), Boston University, (1963)

Vaskov, J.M., The Musical Education and Matriculation of Boy Choristers at Canterbury Cathedral during the English Reformation Period, 1549-1642, Ph.D.(thesis), Claremont Graduate University, CA (2000)

Vasto, J., "An Elizabethan Anthology of Rounds", Musical Quarterly 40,1954

Vaughn, M.C., The Restoration Chapel Royal: A Confluence of Traditions and Styles, Ph.D.(thesis), Northwestern University, (1996)

Vaught, R., The Fancies of Alfonso Ferrabosco II, Ph.D.(thesis), Stanford University, (1959)

Vendrix, P., Music and the Renaissance: Renaissance, Reformation and Counter-Reformation, (2011)

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Videro, F., European Organ Music of the 16th and 17th Centuries (1969)

Vince, A.V., Discography and Discovery: Investigating Independent and Institutional Approaches to Byrd and Tallis through Their Recorded History, Ph.D.(thesis), University of Southampton, {In Progress]

Vlasto, J., "An Elizabethan Anthology of Rounds", Musical Quarterly 40,1954

______, (ed.), Lant Thomas: Fifteen Anonymous Elizabethan Rounds (1580) (1954,1971)

Vogel, J-E., The Fusion of Rhythm and Tonal Structure in the Development of Form in the Late Renaissance: the Fitzwilliam Virginal Book Dances, Ph.D.(thesis) University of New York [In progress]

 

W

 

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Walker, D.P., Studies in Musical Science in the Late Renaissance (1978)

______, Music, Spirit and Language in the Renaissance, (ed.) by P.M. Gouk (1985)

Walker, E., "An Oxford Book of Fancies", MA 3

______, A History of Music in England (1924)

Wallace, C.W., "The Children of the Chapel at Blackfriars, 1597-1603", University Studies of the University of Nebraska 8,1908

Walls, John [ ], John Wall: Writings on Music, (ed.) by D. Cram, and B. Wardhaugh, (2012)

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Walls, P., Music in the English Courtly Masque, 1604-1640, [Oxford Monographs on Music] (1996)

Walls, P.G.,"New Light on Songs by William Lawes and John Wilson", Music&Letters 57,1976

Walker, E.A., "An Oxford Book of Fancies", EM

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______, A History of Music in England (1952)

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Walker, P.M., Theories of Fugue from the Age of Joaquin to the Age of Bach (2000)

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Warburton, C., Music as a Basic Metaphor in Shakespeare's Plays, Ph.D.(thesis), University of Miami, FL, (1981)

Ward, J.M., "Spanish Musicians in Sixteenth-Century England", In Essays in Musicology in Honor of Dragon Plamenac on his 70th Birthday (1969)

______, "Springly and Cheerful Musick: Notes on the Cittern, Gittern & Guitar in 16th- and 17th-Century England", Lute Society Journal 21,1979-81

______, (ed,), The Dublin Virginal Manuscript (1983)

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______, (ed.), Music for Elizabethan Lutes (1992)[2 vols.]

______, The Lute Works of John Johnson (1994)[3 vols.]

Ward, John [1571-1638], Consort Music of 4 parts ( )

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______, First Set of English Madrigals (1613), [The English Madrigal School] 19, (1922)

Wardhaugh, B., Music, Experiment and Mathematics in England, 1653-1705, (2008)

Warlock, P., (ed.), Pammelia and other Rounds and Catches by Thomas Ravenscroft (1609-1611), (1928)

______, The English Ayre (1926)______, English Ayres, Elizabethan and Jacobean, a Discourse (1932)

Warren, E.B., The Masses of Robert Fayrfax, Ph.D.(thesis), University of Michigan, (1952)

______, "Life and Works of Robert Fayrfax", [Musica Disciplina] 11,1957

______, "The Masses of Robert Fayrfax", [Musica Disciplina] 12,1958

______,(ed.), Warren, E.B, (ed.), Robert Fayrfax (ca. 1464-1521): Collected Works, [Corpus Mensurabilis Musicae] 17 (1959-66)

______, "Robert Fayrfax: Motets and Settings of the Magnificat", [Musica Disciplina] 15,1961

______, "Life and Works of Robert Fayrfax, 1464–1521", Musicological Studies and Documents 22,1969

Warwick, E., The Sources of Elizabethan Consort Music, Ph.D.(thesis), Cambridge University, (1974)

Waters, J.K., Handbook of Two Musical Practices (Plainsong): An English Translation and Annotation of Georg Rhaw's Enchiridion utriusque musicae practicae (musica plana), D.M.A, University of Washington, (1970)

Wathey, A., "Dunstable in France", Music and Letters 67,1986

______, Music in the Royal and Noble Households in late Medieval England: studies of sources and patronage, Ph.D.(thesis), Oxford University, (1987)

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X

 

 

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* Currently under revision [Ed. Note: These bibliographic citations are being offered for reference purposes only. Please double check all citations for full entries, and dates before using for research papers, or for possible publication. ExLibris.org uses a non-standardized bibliographic format which may not be compatible with certain software programs. Information Officer: 2014.]