A Select Bibliography
EEM Index   Transition to the Renaissance   The Age of Dunstable   Henry VII & Henry VIII   The Reformation   Elizabethan & Jacobean   Charles I & Charles II   James II   
Last revisions made 2014-03-01 17:39




Anonymous [John Case?], The Praise of Musicke (1586;1980 rep.); [STC 4757]

[A.B.] (Philo-Mus A.B.), Synopsis of vocal musick containing the rudiments of singing rightly any harmonical song, delivered in a method so solid, short and plain, that this ... and easily, than ever heretofore (1680)

[A.B.], Synopsis of Vocal Musick (1680), (ed.) Herissone, R., (2006)


[A.H.] {Henry Hawkins?], Parthenia Sacre (1633)

Abbey, H., An Historical and Stylistic Chronology of the English Fancy: Music for Viol Consorts, Ph.D.(thesis), University of Utah, (1974)

Abbott, D., and Segerman, E., "The Cittern in England before 1700", Lute Society (UK) Journal 17,1975

______, "Strings in the 16th and 17th Centuries", Galpin Society Journal 27,1974

Abraham, G., The New Oxford History of Music IV: The Age of Humanism 1540-1630 (1968)

______, (ed.), The Age of Humanism 1540-1630 (1968)

______, (ed.), Concert Music 1630-1750 [Oxford History of Music VI] (1986)

Abu-Lughod, J.L., Before European Hegemony: The World System AD 1250-1350 (1989

Adams, M.H., The Development of Henry Purcell's Musical Style, Ph.D.(thesis), University of Southampton, (1984)

Adams, R.L., The Development of a Keyboard Idiom during the English Renaissance, Ph.D.(thesis), Washington University, (1960)

Addleshaw, G.W.D. and Etchells, F., The Architectural Setting of Anglican Worship (1956)

Adler, G., Handbuch der Musikgeschichte [various editions]

Adson, John, Courtly Masquiring Ayres (1621)

Akehurst, F.R.P., and Davis, J.M.A., A Handbook of the Troubadours (1995)

Akrigg, G.P.V., Jacobean Pageant; or, The Court of James 1 (1962)

Albertyn, E., "The Hanover orchestral repertory, 1672-1714", Early Music 33,2005

Alburger, M.A., "The Fydill in Fist: Bowed instruments from the "Mary Rose" [Ship], Galpin Society Journal 53,2000

Aldrich, K.R., The Italian Influence on Dance in the Court of Elizabeth I, Master's (thesis), University of Oregon, (1979)

Alette, C., Theories of Rhythm, Ph.D.(thesis), University of Rochester (1951)

Alexander, J., The English Lute Duet, 1570-1610, MA (thesis), University of Nottingham, (1977)

Alker, H., Blockenloten-Bibliograpgie (1960-61;1984)[2 vols.]

Allan, D.A., A Dual study of English lute repertoire of the Renaissance period and English guitar repertoire of the twentieth century MMus(thesis), University of Adelaide, (1980)

Allen, C. , Aspects of the music of Henry Purcell, MMus(thesis), University of Newcastle, [In process]

Allaire, G.G., the Theory of Hexachord, Solminization and the Modal System [n.p.] (1972)

Allinson, D.J., The Rhetoric of Devotion: Some Neglected Elements in the Context of the Early Tudor Motet, Ph.D.(thesis), University of Exeter, (1999)

Allison, Richard,[ ], The Psalmes of David in Meter (1599)

______, An Howres Recreation in Musicke (1606)

Allmand, C., The Hundred Years War; England and France ar War (2001)


Alpin, J.J., Structural Devices in Vernacular Music of the English Church, c. 1545-1570, Ph.D.(thesis), Reading University, (1977)

______, "A Group of English Magnificats'upon the Farurden'", Soundings 7,1978

______, "The Survival of Plainsong in Anglican Music: Some Early English Te-Deum Settings", Journal of the American Music Society 32,1979

______, "The Origins of John Day's'Certain Notes'", Music and Letters 62,1981

An Old St. Andrews Music Book [Cod. Helmst,628] (1931)

Anders, H.R.D., Shakespeare's Books (1904;1965)

Anderson, H., Early English Music (1920)

Anderson, N., Baroque Music: From Monteverdi to Handel (1994)

Anderson, R.E., Richard Alison's Psalter (1599) and Devotional Music in England to 1640, Ph.D.(thesis), University of Iowa, (1974)

Anderson, W.W., The Stylistic Development of Henry Purcell as Revealed by His Sacred Verse Anthems, D.M.A., University of Kansas, (1980)

Andrews, H.,"Elizabethan Keyboard Music: My Ladye Nevells Booke, 1591", Musical Quarterly 16,1930

______, (ed.), My Ladye Nevellls Booke of Virginal Music (William Byrd) (1926;1969)

Andrews, H.K., Thomas Morley, Collects Motets (1959)

______, "Transportation of Byrd's Vocal Polyphony", Music&Letters 43,1962

______, "Printed Sources of William Byrd's 'Psalmes, Sonets, and Songs", Music and Letters 44,1963

______, "The Printed Part-Books of Byrd's Vocal Music", The Library 5th ser. 19,1964

______, The Technique of Byrd's Vocal Polyphony (1966)

______, and Dart, T., "Fourteenth-Century Polyphony in a Fountains Abbey Ms. Book", Music and Letters 39,1958

Angelo, S., Public Spectacle in Early Tudor Policy, 1485-1547, Ph.D.(thesis), University of London, 1958

______, "The Court Festivals of Henry VII", Bulletin of the John Rylands Library 43,1960

Anthems by Tallis, Sheppard, and their contemporaries [Renaissance Masters. English Anthems; 1] (1990)

Ap Huw, Robert, [ca.1580-1665], Musica [Musica neu Beroriaeth]: British Museum Additional MS. 14905 (1936) [Facsimile of the Robert ap Huw harp manuscript (1613)]

Apel, W., "Early History of Organ", Speculum 23,1948

______, The Notation of Polyphonic Music 900-1600 (1949)

______, Harvard Dictionary of Music (1951;1969)

______, Gregorian Chant (1958)

______, Geschichte der Orgel- und Klaviermusik bis 1700 (1967)

______, "Solo Instrumental Music", In New Oxford History of Music, Vol. IV, 1540-1630 (1968)

______, (ed.), French Secular Compositions of the Fourteenth Century , music edited by Willi Apel, texts edited by Samuel N. Rosenberg [Corpus Mensurabilis Musicae] 53/I,1970

Applegate, J.S., The Henry Lawes Autograph Song Manuscript: A Critical Edition of British Museum Loan MS 35, Ph.D.(thesis), University of Rochester, (1966)

Arbeau, Thoinet [Jehan Tabournot],[ ], Orchesography, ... [1588]

Arber, E.A., Transcript of the Registers of the Company of Stationers 1554-1640, (1875-1894)

Archer, J., Goldring, E., and Knight, S., (eds.), The Progresses, Pageants, and Entertainments of Queen Elizabeth I, (2007)

Arkwright, G.E.P., "Purcell's Church Music", Acta Musicologica 1,(1910)

______, "The Chapel Royal Anthem Book of 1635", Musical Antiquary 2,1910-11

Arkwright, G.E.P., "An English Pupil of Monteverdi", Acta Musicologica 4,(1913)

______, "Elizabethan Choirboy Plays and their Music", Proceedings of the Musical Association 11,1913-14

______, Catalogue of Music in the Library of Christ Church Oxford, (1915-23) [2 vols.]

Armitt, M.L."Old English Viol Music", Quarterly Musical Review 4,1888

Arnold, C.R., Organ Literature: A Comphrensive Survey (1995(eds.) [2 vols.]

Arnold, D., "Thomas Weelkes and the Madrigal",Music and Letters 31,1950

______, "Croce and the Madrigal", Music and Letters 35,1954

______, "Gastoldi and the English Ballet", Monthly Musical Record 86,1956

______, Arnold, F.T., The Art of Accompaniment from a Thorough-Bass as Practiced in the 17th and 18th Centuries (1931;1965) [2 vols.]

Artz, F.B., The Mind of the Middle Ages: An Historical Survey (1953)

Arundell, D [ ], Henry Purcell (1927)

Ashbee, A., The Four-Part Instrumental Compositions of John Jenkins, Ph.D.(thesis), University of London, (1966)

______, "John Jenkins's Fantasia-Suites for Treble, Two Bases and Organ", Chelys 1,1969

______, "Lowe, Jenkins, and Merro", Music and Letters 48,1967

______, John Jenkins: Consort Music [Musica Britannica] 26,1969

______, "Instrumental Music from the Library of John Brown (1608-1691), Clerk of the Parliaments", Music and Letters 58,1977

______, (ed.), Lists of Payments to the King's Musick in the Reign of Charles II (1660-1685), (1981)

______, "A Not Unapt Scholar: Blustrode Whitelocke (1605-1675)", Chelys 11,1982

______, Records of English Court Music (1, 1986-)

______, The Harmonious Musick of John Jenkins, I: The Fantasias for Viols (1992)

______, Records of English Court Music, Vol. 7: 1485-1558 (1994)

______, Records of English Court Music, Vol. 8: 1485-1558 (1995)

______, Records of English Court Music, Vol. 9: 1485-1558 (1996)

______, "Groomed for Service: Musicians in the Privy Chamber at the English Court, c.1495-1558", Early Music 25,1997

______, (ed.), William Lawes (1602-1645): Essays on his Life, Times, and Work (1998)

______, The Harmonious Musick of John Jenkins I: The Fantasias for Viols (2010)

______, and Harley, J., The Cheque Books of the Chapel Royal (2000)[2 vols.]

______, Lasocki, D. and Holman, P., A Biographical Dictionary of English Court Musicians 1485-1714 (2 vols.;1998)

______, and Holman, P., (eds.), John Jenkins and His Time: Studies in English Consort Music (1997)

______, and Thompson, R., The Viola de Gamba Society Index of Manuscripts Containing Consort Music, (2001)

Ashton, R., The City and the Court, 1603-1643 (1979),

Aspend, S.E., Opera and Nationalism in mid-Eighteenth-Century Britain, D.Phil.(thesis), Oxford University, 1999

Atchison, M., The Structures and Scribes of the Chansonnier on the Oxford Ballet an MS Douce 308, MMus(thesis), Monash University, (1995)

Atkins, I., The Early Occupants of the Office of Organist and Master of the Choristers of the Cathedral Church of Christ and the Blessed Virgin, Worcester (1918)

Atlas, A.W., Renaissance Music: Music in Western Europe, 1400-1600 (1998)

Aubrey, Elizabeth (1996): Music of the Troubadours (1996)


Austern, L.P., Music in English Children's Drama, 1597-1613, Ph.D.(thesis), University of Chicago, (1984)

______, "Thomas Ravenscroft: Musical Chronicler of an Elizabethan Theater Company",Journal of the American Musicological Society 38,1985

______, Music in English Children's Drama of the Later Renaissance [Musicology: A Book Series] v. 13,1992

Avison, Charles, [ ], An Essay on Musical Expression (1752)

Aylward, T. [ ], The Sarum Hymnal (1869)





Babitz, S., "Concerning the Length of Time the every note must be held " Music Review 28,1967

______, "On using J.S. Bach's Keyboard Fingerings ", Music & Letters 1962


Baehrens, C.E. [ ], The Origin of the Masque (1929)

Bagford Ballads, (1878)[2 vols.]

Barnall, A., Musical Practices in Medieval English Nunneries, Ph.D.(thesis), Columbia University, (1975)

Bailey, C.L., English Keyboard Music, c1625-1680, Ph.D.(thesis), Duke University (1992)

______, Late-Seventeenth-Century English Keyboard Music [Recent Researches in the Music of the Baroque Era] 81,1997

______, Seventeenth-Century British Keyboard Sources [Detroit Studies in Music Bibliography] no. 83,2002

Bailey, D.S., Wells Manor of Canon Grange (1985)

Bailey, T., and Santosuosso, A., (eds.), Music in Medieval Europe. Studies in Honour of Bryan Gillingham (2006)

Baillie, H., "A London Church in Early Tudor Times", Music and Letters 36,1955

______, "The London Gild of Musicians, 1460-1530", Proceedings of the Royal Musical Association 83,1956-57

______, "Nicholas Ludford (c.1485-c.1557)", Musical Quarterly 44,1958

______, London Churches, their Music and Musicians (1485-1560), Ph.D.(thesis), University of Cambridge,UK (1958)

______, "Some Biographical Notes on English Church Musicians, chiefly working in London (1485-1569)", Royal Musicological Association Research Chronicle 2,1962

______, and Oboussier, P., "The York Masses", Music and Letters 35,1954

Baines, A.,"Fifteenth Century Instruments in Tinctoris',De inventione et usu musicae" Galpin Society Journal 3,1950

______, Brass Instruments: Their History and Development (1978)

Baines, F.,"The Consort Music of Orlando Gibbons", Early Music 6,1978

Baker, D., "Instrumental Consort Music of Robert Parsons", Chelys 7,1977

Baker, J.M., Aspects of Matthew Locke's Choral Music, Ph.D.(thesis), University of Illinois at Urbana-Champaign [n.d.]

Baker, T., History of St. John's College, Cambridge(1869)

Baldwin, D., Chapel Royal, Ancient and Modern (1990)

Baldwin, E., "Playing the Piper: Music in pre-1542 Cheshire", Galpin Society Journal 57,2004

Balensuela, C.M., The Ars cantus mensurabilis mensurata per modos iuris (Coussemaker's Scriptores 3, Anonymous V): An Introduction, Critical Text, and English Translation with Commentary, Ph.D.(thesis), Indiana University, (1993)

Ball, D., The Popular element in the music of the English virginal school, MMus(thesis), University of Auckland [In progress]

Bang, W., and Brotanek, R.,(eds.), The King and Queenes Entertainment at Richmond [Materialen zur Kunde des alteren englischen Dramas, 2; Louvain und Leipzig](1903; 1965 reprint)

Banks, J., The Instrumental Consort Repertory of the Late Fifteenth Century (2006)

Bank, K., Changed the World Throughout: Responses to the New World in English Madrigals, Ph.D.(thesis), Royal Holloway, University of London, [In Progress]

Bannister, A.T., The Cathedral Church of Hereford (1924)

Bantock, G., and Anderton, H.O., (eds.), The Melvill Book of Roundels (1916;1972)


Baptie, David [ ], A Handbook of Musical Biography (1883)

______, (ed.; comp.), Musical Scotland: Past and Present: Being a Dictionary pf Scottish Musicians from about 1400 till the Present (1894;1972;2010)

Barber, R.W., (ed.), King Arthur in Music [Arthurian Studies] 52, (2002)

Barbour, J.M., Equal Temperament, Its History from Ramis to Rameau, Ph.D.(thesis), Cornell University, (1932)

______, Tuning and Temperament: A Historical Survey (1951)

Barish, J., The Anti-Theatrical Prejudice (1981)

Barley, William, [ ], A New Booke of Tabliture Containing Sundrie Easie and Familiar Instructions, (1596)

_____, The Pathway to Musicke (1596)

Barlow, J.,(ed.), The Complete Country Dance Tunes From Playford's Dancing Master (1651-ca. 1728) (1985)

Barlow,W.,[ ], Summe of the Conference before the King's Majestie (1604)


Barnard, John, [fl. 1641], First Book of Selected Church Musick (1641) with a new intro. by John Morehen (1972)

Baron, J.H., Baroque Music: A Research and Information Guide (1993)

Barrett, G., Modality according to McClay (2013)

Barnett, H.B., Factors in the Transition from Renaissance to Baroque in English music, Ph.D.(thesis), University of Southern California, (1958)

______, "John Case - an Elizabethan Music Scholar", Music and Letters 50,1969

Barroll, J.L., Politics, Plague and Shakespeare's Theater: the Stuart Years (1991)

Barron, D., Continental Scribes and the Reception of Fifteenth-Century English Mass Music, Ph.P.(thesis), Indiana University, [In Progress]

Barron, M., Early Playford For Early Instruments (1987)

Bartlett, I., "Boyce and Early English Oratorio I", Musical Times 120,1979

Barton, J., Settings of Lamentations of Jeremiah by English composers 1460-1620, Ph.D.(thesis),University of London (1997)

Barton, William, [ ], The Book of Psalms (1644;1645)

Baskervill, C.R., The Elizabethan Jig and Related Song Drama (1929;1965 rep.)

Batchelor, A.,"Daniel Bacheler: The Perfect Musician", Lute Society Journal 28,1988

Bathe, William [1564-1614], A Briefe Introduction to the True Art of Musicke (1584)

______, A Briefe Introduction to the Skill of Song (1596),with intro. by Bernarr Rainbow (1982); [STC 1589]

_____, A Brief Introduction to the Skill of Song (1587 ), (ed.) by K.C. Karnes [Music Theory in Britain, 1500-1700] (2005)

Bawcutt, N.W., The Control and Censorship of Caroline Drama> The Records of Sir Henry Herbert, Master of the Revels 1623-73 (1996)

Bedbrook, G.S., Keyboard Music from the Middle Ages to the Beginning of the Baroque (1949;1973)

______, "The Buxheimer Keyboard Manuscript", Music Review 16,1953


Beder, J., The Fitzwilliam Virginal Book Dances: The Fusion of Rhythm and Tonal Structure in the Late Renaissance, Ph.D.(thesis), City University of New York, (1982)

Beck, S., (ed.), The First Book of Consort Lessons Collected by Thomas Morley, 1599 and 1611 (1959)

Becker, C.F., Die Tonwerke des 16. und 17, Jahnhundert (1855)

Beechey, G., "Thomas Morley and the Recorder", The Recorder Magazine 22,2002

Beer, R., "Ornaments in old Keyboard Music", Music Review 13,1952

Bede, The Venerable [673-735], A History of the English Church and People, Trans. L. Sherley-Price, rev. R.E. Latham (1968;2010)

Beier, A.L., "Social Problems in Elizabethan London" JIH

Bell, N., Music in Medieval Manuscripts (2001)

Bellingham, B., "The Musical Circle of Anthony Wood in Oxford during the Commonwealth and the Restoration", Journal of the Viola de Gamba Society of America 19,1983

Benham, H., The Music of Taverner, A Study and Assessment, [unpublished] Ph.D.(thesis), University of Southhampton (1969)

______, "The Music of John Taverner: A Liturgical Study", Music Review 33,1972

______, The Formal Design and Construction of Taverner's Work",[Musica Disciplina] 26,1972

______, "Latin Church Music under Edward VI", Musical Times 66,1975

______, Latin Church Music in England, c.1460-1575 (1977)

______, "Prince Arthur (1486-1502), a Carol and a Cantus Firmus"e; Early Music 15, 1987

______, Early English Church Music: John Caverne: Ritual Music and Secular Songs (1985)

______, John Taverner: His Life and Music (2003)

______, Baroque Music in Focus (2007;2010)

Benjamin, H., "Nathaniel Cross, William Borracleffe, and a clutch of Tudor viols", Galpin Society Journal 56,2003

Bennett, H.S., The Pastons and Their England: Studies in an Age of Transition (1968)

Bennet, J., Byrd and Jacobean Consort Music: A Look at Richard Mico, In Byrd Studies, A. Brown and R. Turbet (eds.) (1992)

Bennett, J., "John Oker/Okeover", Chelys 16,1987

______, and Willetts, P., "Richard Mico", Chelys 7,1977

Benson, L.F., The English Hymn (1915)

Bent, I.D., The Early History of the English Chapel Royal, ca. 1066-1327, Ph.D.(thesis), Cambridge University, (1969)

Bent, M.,

______, "Initial Letters in the Old Hall Manuscript", Music and Letters 47,1966

______, "Sources of the Old Hall Music", Proceedings of the Royal Music Association 94,1967-68

______, The Old Hall Manuscript: a Paleographical Study, Ph.D.(thesis), University of Cambridge,(1969)

______, "The Old Hall Manuscript", Early Music 2,1974

______, "The Transmission of English Music 1300-1500: Some Aspects of Repertory and Presentation", In Studien zur Tradition in der Musik: Kurt von Fischer zum 60 Geburtstag, H.H. Eggebrecht and M. Lutölf (eds.) (1973)

______, From Polyphony to Seconda prattica (1977)


______, "The Songs of Dufay: Some Questions of form and Authenticity", Early Music 8,1980

______, Dunstable (1981)

______, "Editing Early Music: The Dilemma of Translation", Early Music 22,1994

______, "The Early Use of the Sign Phi " Early Music 24,1996

______, and Bent, I., "Dufay, Dunstable, Plummer - A New Source", Journal of the American Musicological Society 22,1969

______, Margaret; Bent, I., "Dufay, Dunstable, Plummer-A New Source" Journal of the American Musicological Society 22,1969

______, Margaret; Bent, Ian; Trowell, Brian (eds.), John Dunstable complete works, [Musica Britannica] Vol. VIII, (1970)

Bentham, H.,(ed.), John Taverner: I: Six-part Masses [Early English Church Music] 20,1978

Bentley, G.E.,(ed.), A Book of Masques in Honour of Allardyce Nicoll (1967)

Bentley, J.C., The Jacobean and Caroline Stage (1940-68)[7 vols.]

Bergenfeld, N., The William Raylton Virginal Book, Ph.D.(thesis), New York University [In progress]

Berger, A.M.B., Mensuration and Proportion Signs (1993)

Bergeron, D.M., Twentieth-Century Criticism of English Masques, Pageants, and Entertainments: 1558-1642 (1972)

Bergsagel, J.D., "An Introduction to Ludford", [Musica Disciplina] 14,1960

______, "On the Performance of Ludford's Alternatim Masses", [Musica Disciplina] 16,1962

______, "The Date and Provenance of the Forrest-Heyther Collection of Tudor Masses", Music&Letters 44,1963

______, J.D., A Study of the English Polyphonic Mass of the Early Tudor Period, with Special Reference to the Contents of Two Manuscript Collections: Oxford, Bodleian Library, Mus. Sch. e. 376-81, and London, British Museum Add. 17802-5, Ph.D.(thesis), Magdelan, Oxford University, (1969)

______, (ed.), English Tudor Masses, II, [Early English Church Music] 16,1975

______, (ed.), Music in Denmark at the Time of Christian IV, II: Music for Instrumental Ensemble (1977)

Bermundo, Juan [ ], Declaracio'n de Instrumentos Musicales: 1555 (1957)


______, "On playing the Vihuela (De taner vihuela) ... ", The Journal of the Lute Society of America 28-29,1995-96

Bernstein, J.A., The Chanson in England 1530-1640: A Study of Sources and Styles, Ph.D.(thesis), University of California at Berkeley, (1974)

______, "Lassus in English Sources: Two Chansons Recovered", Journal of the American Musicological Society 27,1974

______, "Philip van Wilder and the Netherlandish Chanson in England", [Musica Disciplina] 33, (1979)

______, "An Index of Polyphonic Chansons in English Manuscript Sources, c. 1530- 1640", Royal Musical Association Research Chronicle 21, 1988

Bertenshaw, D., The Influence of the Late Sixteenth-Century Italian Polyphonic Madrigals on the English Viol Consort Fantasy c. 1600-1645, A Background Study, Ph.D.(thesis), University of Leicester, (1992)

Bessler, H., Die Musik des Mittelaters und der Renaissance (1934)

Best, T., Handel collections and their history (1993)

Bevington, D.M., From Mankind to Marlowe: Growth and Structure in the Popular Drama of Tudor England (1962)

______, and Holbrook, P.,(eds.), The Politics of the Stuart Court Masque (1998)

Bicknell, J.C., Interdependence of Word and Tone in the Dramatic Music of Henry Purcell, Ph.D.(thesis), Stanford University, (1960)

Bicknell, S., The History of the British Organ (1996)

Binford-Walsh, H.M., A Comparison by Byrd's and Gibbons' service anthems, MMus(thesis), Rice University, (1985)

Birch, Thomas,[1705-1766],

______, Court and Times, II,137; Calendar of State Papers, Venetian Series, (1617–1619) [17?]


______, The Life of Henry Prince of Wales, Eldest Son of King James I (1760)

______, (ed.), The Court and Times of Charles First (1849)

Bishop, S.D., British Library Additional Manuscripts 17802-17805: Latin Liturgical Polyphony in Reformation England, Ph.D.(thesis), University of Toronto, (1978)

Bisson, N., English Polyphony for the Virgin Mary: The Votive Antiphon, 1420-1500, Ph.D.(thesis), Harvard University, (1998)

Bithell, J., German Pronunciation and Phonology (1952)

Bittermann, H.R., "The Organ in the Early Middle Ages", cite>Speculum 4,1929

Blackburn, A.S., Styles in the church music of Henry Purcell, MMus(thesis), University of Melbourne [In progress]

Blackburn, B.J., "On Compositional Process in the Fifteenth Century " Journal of the American Musicological Society 40,1987

______, and Lowinsky, E., Composition, Printing,and Performance: Studies in Renaissance Music (2000)

Blades, J., Early Percussion Instruments from the Middle Ages to the Baroque (1976)

Blezzard, J.H., "The Lumley Books", Music Times 112,1971

______, The Sacred music of the Lumley Books (British Museum, Royal Appendix Manuscripts 74-76): an edition and critical study, Ph.D.(thesis), University of Leeds (1972)

______, "A New source of Tudor secular music", Musical Times 72,1981

______, Reconstructing Early English and Vocal Music: History, Principle, and Practice, The Music Review 45,1984

______, "Monsters and Messages: The Willmott and Braikenbridge Manuscripts of Latin Tudor Church Music 1591", The Antiquaries Journal 75,1995

Blom, E., Music in England (1942; revised 1947)

Blount, G.L., The Sacred Vocal Music of John Mundy: A Critical Edition, Ph.D.(thesis), University of California at Los Angeles, (1974)

Bloxam, J.R., A Register of the Presidents, Fellows, Demies, Instructors in Grammar and Music, Chaplains, Clerks, and Choristers and other Members of Saint Mary Magdalene College in the University of Oxford (1857)

Bloxam, M.J.,(ed.), Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, (eds.) by M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens (2009)

Blume, F., (ed.), Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (Kassel, 1949-79) [Cited by volume and column number] , II, (1591-5)

Boalch, D., Makers of the Harpsichord and Clavichord 1440-1840 (2d ed.,1973)

Bock, E.W., The String Fantasies of John Hingeston (c.1610-1683), Ph.D.(thesis), University of Iowa, (1956)

Boden, A., Thomas Tomkins: the last Elizabethan (2005)

______, "The Lives and Times of Thomas Tomkins and his family", In Thomas Tomkins: the Last Elizabethan (2005)

Bouul;hmer],H., Kirche und Staat in England und in der Normandie (1899)

Bolwell, R., The Life and Works of John Heywood (1921)

Bond, A., A Guide to the Harpsichord (1997)

Bonvalot, A., The Round of Shakespeare's Age in England and Scotland: Three Collectors and Their Store,1580-1612, Ph.D.(thesis), Harvard University, (1966)

Boomgaarden, D.R., Musical Thought in Britain and Germany during the Early Eighteenth Century (1987)

Boorman, S., "Notari, Porter and the Lute", Lute Society Journal 13,1971

______, (ed.), Studies in the Performance of Late Medieval Music (1983)

______, Studies in Printing, Publishing and Performance of Music in the 16th Century, [Variorum Collected Studies Series]] CS815,2005

Borders, J., (ed.), Plainsong and Medieval Music


Born, M.L., The English Instrumentalists Abroad: An examination of the English contributions to the Northern European ensemble idiom at the beginnings of the Seventeenth Century, Ph.D.(thesis), University of London [In progress]

Borren, C.V. den, The Sources of Keyboard Music in England (1914)

______, "The Genius of Dunstable", Proceedings of the Musicological Association 47,1921

Borrel, E., La Sonate (1951)

Borroff, E., "Women and Music in Medieval Europe", Mediaevalia 14,1991

Boston, J.L., "Pricilla Bunbury's Virginal Book", Music and Letters 36,1955

______, N., The Musical History of Norwich Cathedral (1963)

Boswell, E., Restoration Court Stage (1660-1702) (1960 reprint)


Bottoms, J.F., The Development and Influence of the English Court Entertainment in the Sixteenth-Century, Ph.D.(thesis), University of Sheffield, (1984)

Bowen, G., The Organs of St David's Cathedral (2001)

Bower, C., Boethius' The Principles of Music: An Introduction, Translation, and Commentary, Ph.D.(thesis), George Peabody College for Teachers, (Vanderbilt), (1967)

Bowers, R.D.

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______,Purcell (1911)

______, "J. Blow", Sammelb"ande der internationalen Musikgesellschaf 10

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_____, and Wathey, A., "Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory", Royal Musical Association Research Chronicle 27,(1994)

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______, "Robert Johnson, King's Musician in His Majesty's Public Entertainment",Music and Letters 36,1955

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______, Eggebrecht, H.H., (eds.), Brockhaus Riemann Musiklexikon (1979) [2 vols.]

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______, "Dd.4.23 or English Cittern Music Revisited",Journal of the Lute Society of America 3,1970

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______, "Notes and Queries: English Cittern Music"Galpin Society Journal 6,1953

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______, A History of English Music (1895;1921)

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______, "The "Western Wind" Masses ",Musical Quarterly 57,1971

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______, T.,(comp.), British Library National Sound Archive: A Discography of Tudor Church music (1989)

______, Morning and Evening Prayer (1565)


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______, "Tallis in Performance", Early Music 33, 2005

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______, English Church Music 1650-1750

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del Amo, F., Music by 17th-Century Viol-playing English Catholic Working in Europe, Ph.D.(thesis), University of Leeds [In progress]

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______, Songs in British Sources; c.1150-1300 [In prep] {2013]

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______, Pelham Humphrey (1986)

Dent, E.J., Foundations of English Opera (1928)

______, "English Influences on Handel", Monthly Musical Review, 49,1929

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______, and Harrison, F.L.,(eds.), Medieval English Songs (1979)

Dod, Henry, [ ]Certain Psalms of David (1603)

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______, (comp.), A Thematic Index of Music for Viols, 1980-92

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______, "Tallis's Spem in allum and the Elizabethan Respond-Motet", Music and Letters 51,1970

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______, Tallis (1976 2nd ed.)

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______, Dances of England and France from 1450 to 1600, (1949)

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______, "Communications", cite>Journal of the American Musicological Society> 19,1966<

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______, John Dowland, Keyboard Music ed. by Hogwood, C., (2005)

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______,The Second Booke of Songs or Ayres, of 2. 4. and 5. parts vvith tableture for the Lute or Orpherian, with the Violl de Gamba. Composed by Iohn Dovvland Batcheler of Musick (1600), [EEBO Ed.](2010)

_____,Second Book Of Airs: 1600 ... (ed.) by E.H. Fellows (1922?;2011)

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______, The Third and Last Books of Songs or Aires: 1603

______, Varietie of lute-lessons viz. fantasies, pauins, galliards, almaines, corantoes, and volts: selected out of the best approued authors, as well beyond ... our owne country. By Robert Douland. (1610), [EEBO ed.] (2010)

______, A Pilgrimes Solace VVherein is contained musicall harmonie of 3. 4. and 5. parts, to be sung and plaid with the lute and viols. By Iohn Douland, Batchelor of Musicke in both the vniuersities. (1612), [EEBO ed.] (2010)

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Dowling, M., "The Printing of John Dowland's Second Booke of Songs and Ayres'", The Library 4th ser., 12,1932

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Duffin, R.W.

______, "An Encore of Shakespeare's Rare Italian Master", Elizabethan Review

______, (ed.), A Performer's Guide to Medieval Music (2000)

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______, Shakespeare's Songbook (2004)

Duffy, J.C., The Vocal Works of Alfonso Ferrabosco, the Younger, c.1575-1628, Ph.D.(thesis), Boston University, (1979)

Dugdale, W., [ ], Old St Paul's (c.1680)


______, History of St. Paul's, with additions by H. Fells (1818)

Duguid, T., Sing a New Song: English and Scottish Metrical Psalmody from 1549 to 1640, Ph.D.(thesis), University of Edingurgh, (2011)

Dumitrescu, T., Anglo-Continental Musical Relations c.1485-1530, Ph.D.,(thesis), Oxford University [In process}

______, The Early Tudor Court and International Musical Relations (2007)

Duncan, T.G.,(ed.), Late Medieval English Lyrics and Carols, 1400-1530 (2000)

Dunevant, D.L., Music at the Court of Henry VII, Ph.D.(thesis), University of Cincinnati [In progress]

Dunstable, John, [1390-1453]

______, Complete works, (ed.) by M.F. Bukofzer, [Musica Britannia] 8 (1953)

Duric, M., Music Theory and Compositional Practice in England, c.1660-c.1730, Ph.D.(thesis), King's College, University of London, [In progress]

Durost, B.J., The Academic and Court Odes of William Croft (1678-1727), DMA(thesis), Claremont Graduate School,CA (1997)

Dussauze, H., Captain Cooke and his Choir-boys, Ph.D.(thesis) University of Paris, Sorbonne, France (1911)

Dutka, J., Music in the English Mystery Plays, Ph.D.(thesis), University of Toronto, (1972)

Dutton, R.,(ed.), Jacobean and Caroline Masques (1981)

______, Mastering the Revels. The Regulation and Censorship of English Renaissance Drama (1991)





Easson, D.E., Medieval Religious Houses in Scotland (1957)

East, Thomas [ ], The Whole Book of Psalms: With Their Wonted Tunes, Harmonized in Four Parts ... (1592), Rimbault, E.F.,(ed.), 1844

______, Psalmes (1594)

Eaton, F.A., The Origins of Cantus Firmus Used in English Magnificats from the Fourteenth to the Seventeenth Centuries, D.M.A. Performance, Choral Conducting, University of Washington, (1987)

Ebsworth, J.W.,(ed.), The Bagford Ballads (1877-1878)[2 vols.]

Edahl, A.S., The Use of Pre-Existing Material in the Early Tudor Mass Cycle, Ph.D.(thesis), University of Wisconsin-Madison, WI (1993)

Edgar, T.A., The History and development of the English catch, Ph.D.(thesis), Monash University, (1997)

Edwards, F., Robert Persons, the Biography of an Elizabethan Jesuit, 1546-1610 (1995)

Edwards, F.G., "A Famous Music Printer, John Day, 1522-1584", Musical Times 47,1906

Edwards, O., English 18th Century Concertos: and Inventory and Thematic Catalogue (2005)

Edwards, W.A., "The Performance of Ensemble Music in Elizabethan England",Proceedings of the Royal Musical Association 97,(1970-71)

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______, "A Catalogue of Anonymous English Music in Fifteenth-Century Continental Manuscripts", [Musical Disciplina] 22 (1968)

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Hantelmann, G., How to Play the Crumhorm, Cornamusa and Curtall (1975)

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______, The Harpsichord: An Introduction to Technique, Style, and Historical Sources (1954)

Harley, J.

______, "Music and Musicians in Restoration London", Musical Quarterly 40,1954

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______, Seven suites/Jeremiah Clarke; Newly Transcribed and Edited from Choice lessons for the Harpsichord or Spinett (1711) and the Manuscript Sources [Early Keyboard music] K39, (1984)


______, British Harpsichord Music (1992-94)[2 vols.]

______, William Byrd: Gentleman of the Chapel Royal (1997)

______, "New light on William Byrd", Music and Letters 79,1998

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______, William Byrd's Modal Practice (2005)

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Harmon, R., "Studies in the Cambridge Manuscripts I: Musica", Lute Society Journal 38,1998

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______, "Distribution of the Consort Music of Orlando Gibbons in Sixteenth-Century Sources",Chelys 12,1983

______, The Forms and Orders of Western Liturgy from the Tenth to the Eighteenth Century: A Historical Introduction and Guide for Students and Musicians (1991)

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______, A History of Music in the English Church from Bede to the Present Day (20??)


Harper, S., "The Bangor Pontifical: A Pontifical of the Use of Salisbury", Welsh Music History 2,1997

______, S., "Tunes for a Welsh Psalter: Edmwnd Prys's Llyfr y Psalmau", Studia Celtica 37,2003

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______, Music in Welsh Culture before 1650; A Study of the Principal Sources (2007)

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______, "The Eton Choirbook: its Background and Contents", Annales Musicologiques 1,1953

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Harwood, I., "The Origins of the Cambridge Lute Manuscripts", Lute Society Journal 5,1963

______, "Rosseter's Lessons for Consort of 1609", Lute Society Journal 7,1965

______, "Thomas Robinson's Generall Rules", Lute Society Journal 20,1978

______, "A Case of Double Standards? Instrumental Pitch in England c.1600", Early Music 9,1981

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______, A History of Performing Pitch: The Story of "A", (2002)

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Haynes, G.R., Musical Instruments and Their Music 1500-1700: The Viols, and other Bowed Instruments, Vol.2 (1930)

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Heartz, ?, "An Elizabethan Tutor for the Guitar", Galpin Society Journal 16,1962


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______, Frich, W., (eds.), Music in the Baroque (2013)

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Hendrie, G., "The Keyboard Music of Orlando Gibbons (1583-1625)", Proceedings of the Royal Musical Association 89,1962-63

______, Orlando Gibbons, Keyboard Music [Musica Britannica] 20,(1967)

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Hesbert, R-J, "The Sarum Antiphoner-Its Sources and Influences", JPMMS 3,1980

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______, Gregorian Chant [Cambridge Introductions to Music] (2010)

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Hodge, J.B., English Harpsichord Repertoire: 1660-1714 [3 vols.], Ph.D.(thesis) Manchester University, (1989)

Hodges, A.,(comp.) and Raymond, M.,(ed.), The British Union Catalogue of Music Periodicals (1985)

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______, Handel (2007)

______, "John Dowland on the keyboard", Early Music 41,2013

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______, Complete works, (1967)


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Holman, C.W., John Day's Certaine Notes (1560-65), Ph.D.(thesis), University of Kansas, (1991)

Holman, P.,

______, "The Jonsonian Masque", Music and Letters 55,1974

______, "Continuo realizations in a Playford songbook", Early Music 6,1978

______, "New Sources of Music by Robert Johnson", Lute Society Journal 20,1978

______, (ed.), Fantasia de Sei Soprani by William Daman (1981)

______, (ed.), The Royal Wind Music, Vol. I: Pavans and Gallards in 5 Parts by Augustine Bassano (1981)

______, (ed.), The Royal Wind Music, Vol. II: Four Fantasias in 5 Parts Jerome Bassano (1981)

______, (ed.), The Royal Wind Music, Vol. III: The Suites of Charles Coleman and Nicholas Lanier in Five Parts (1982)

______, Seven Dances from the Court of Henry VIII (1983)

______, "The Harp in Stuart England", Early Music 15,1987

______, Four and Twenty Fiddlers: The Violin at the English Court,1540-1690 [Oxford Monographs On Music] (1993)

______, Henry Purcell (1995)

______, "Performance in context: Compositional choices in Henry Purcell's Three Parts upon a Ground", Early Music 29,2001

______, From Renaissance to Baroque (2002)

______, Pratt,G., and Holman P., (eds.), A Performer's Guide to Music of the Baroque Period (2002)

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______, Life after Death: The Viola de Gamba in Britain from Purcell to Dolmetsch (2010)

_____ , Performing 17th-Century Music (2013)

______, Life After Death: The Viola da Gamba in Britain from Purcell to Dolmetsch (Music in Britain, 1600-1900)(2013)

______, "Before the Baton: a preliminary report", Early Music 41,2013

______, "A Purcell manuscript lost and found", Early Music 40,2012

Holland, R.J.T., The Madrigals of Peter Philips, MA(thesis), University of Sydney, (1962)

Holman, P., Henry Purcell (1994)

______, "Compositional Choices in Henry Purcell's Three parts upon a ground", Early Music, 29,2001

Holmes, D., Italian Monody in Early Seventeenth-Century England, Ph.D.(thesis), University of Illinois at Urbana-Champagne [In progress]

Holmes, Matthew [d.1621], The Mathew Holmes Manuscripts" Cambridge University Library Ms.Dd.2.11, [1590?], Introduction and Inventory by John H. Robinson, with textual commentary by Stewart McCoy, with tablature supplement, [The Lute Society Facsimiles 7], (2010)[2 vols.]

Holsinger, B,W., "The Vision of Music in a Lollard Florilegium: Cantus in the Middle English Rosarium theologie (Cambridge, Gonville and Caius College MS 354/581)", Plainsong and Medieval Music 8,1999

Holst, G., "The Tercentenary of Byrd and Weelkes", Proceedings of the Musical Association 49,1922-23

______, "My Favorite Tudor Composer", Midland Musician 1,1926

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Hopkins, E.J., [ ], The English Mediaeval Church Organ (1888)

______, and Rimbault, E.F., [ ], The Organ, Its History and Construction (1877)

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Hoppe, H., "John Wolfe, Printer and Publisher, 1579-1601", The Library, 4th ser., 14,1933

Hoppe, H.R., "John Bull in the Archduke Albert's service", Music and Letters 35,1954

Hoppin, R.H.,(ed.), Anthology of Medieval Music (1978)

______, Medieval Music (1978)

Hoskins, E., Horea Beatae Mariae Virginis or Sarum and York (1901)

Houck, S.J., Decoding Musical Resistance: English Vocal Music in the Service of the King, 1625-1660, Ph.D.(thesis), University of Illinois at Urbana-Champagne, (2005)

Houle, G., Meter in Music, 1600-1800: Performance, Perception, and Notation (1987)

Howard, A., "Constructing Croft", Early Music 41,2013

Howes, F., William Byrd (1928)

Hubbard, F., Three Centuries of Harpsichord Making (1965)

______, The New Oxford History of Music III: Ars Nova and the Renaissance 1300-1540 (1960)

Hudson, H.A., "Organs and Organists of the Cathedral and Parish Church of Manchester", Transactions of the Lancashire and Cheshire Antiquarian Society 34,1917

Hudson, R., The Allemande, the Balletto, and the Tanz (1986)

Hufstader, A.A., "Samuel Pepys, Inquisitive Amateur", Musical Quarterly 54,1968

Hughes, Dom Anselm,[ ]

______, "Sixteenth Century Service Music: The Tudor Church Music Series", Music and Letters 5,1924

______, "Old English Harmony", Music and Letters 6,1925

______, "The Eton Manuscript", Proceedings of the Royal Musical Association 1926-7

______, "Music in the Chapel of King Henry VI", Proceedings of the Musical Association 60,1933

______, "Background to Roy Henry Music", Musical Quarterly 27,1941

______, "Music of the Coronation over a Thousand Years", Proceedings of the Royal Musical Association 79,1952–53

______, The Works of Robert Fayrfax", Music and Letters 30,1949

______, Medieval Polyphony in the Bodleian Library (1951)

______, "An Introduction to Fayrfax",[Musica Disciplina] 6 (1952)


______, (ed.), Catalogue of the Music Manuscripts at Peterhouse, Cambridge (1953)

______, "Continuity, Tradition and Change in English Music up to 1600", Music and Letters 46,1965

______, "The Old Hall Manuscript: a Reappraisal", [Musica Disciplina] 21,1967

______, "The Choir in Fifteenth-Century English music: non-mensural Polyphony", In, Essays in Musicology in Honor of Dragon Plamenac on his 70th birthday, (eds.) G. Reese and R.J. Snow (1969)

______, and Bent, M., "The Old Hall Manuscript: an Inventory" [Musica Disciplina] 21 (1967)

______, and Bent, M.,(eds.), The Old Hall Manuscript [Corpus Mensurabilis Musicae] 46,(1969-73)

______, Musical Manuscripts for Mass and Office: a Guide to their Organization and Terminology (1982)

Hughes, C.W., "Porter, Pupil of Monteverdi", Musical Quarterly 20,1934

Hughes, P., The Reformation in England, I (1950)

Hughes-Hughes, A., Catalogue of Manuscript Music in the British Museum (1906-09)

Huizinga, J., The Waning of the Middle Ages (1954)

Hulse, L., "John Hingeston", Chelys 12,1983

______, "Sir Michael Hickes (1543-1612): a study in musical patronage", Music and Letters 66,1985

______, "The Musical Patronage of Robert Cecil, fourth Earl of Salisbury (1563-1612)", Journal of the Royal Musical Association 116,1991

______, Musical Patronage of the English Aristocracy c.1590-1640, Ph.D.(thesis), University of London, (1993)

______, "Apollo's Whirligig: William Cavendish, Duke of Newcastle and his musical collection, The Seventeenth Century 9,1994

Humphreys, D., "Philip van Wilder: A Study of his Work and its Sources",Soundings 9, 1979-80


Humphreys, D.L., Aspects of the Elizabethan and Jacobean Polyphonic Motet, with Particular Reference to the Influence of Alfonso Ferrabosco the Elder on William Byrd, Ph.D.(thesis), University of Cambridge, (1976)

Humphries, C., and Smith, W.C., Music Publishing in the British Isles from the Beginning until the Middle of the Nineteenth Century (1970)

Hunt, E., The Recorder and Its Music (1977)

Hunt, J.E., [ ],Cranmer's First Litany, 1544, and Merbecke's Booke of Common Prayer Noted, 1550 (1939)

Hunter, D., "The Keyboard music of Hugh Facy", Harpsichord and Fortepiano Magazine 4,1989


______, "My Ladye Nevells Booke and the Art of Gracing", In Byrd Studies, (eds.) Brown, A., and Turbet, R., (1992)

______, Opera and Song Books Published in England 1703-1726, a Descriptive Bibliography (1997)

Husted, B.F., The Brass Ensemble: Its History and Music, Ph.D.(thesis), University of Rochester (1955)

Hurstfield, J., "The Greenwich Tenures of the Reign of Edward VI", Law Quarterly Review 65,1949

Huws, D., "Notes on the Robert ap Huw Manuscript", Welsh Music History v. 6,(19??)





Illing, R., "Barley's Pocket Edition of Est's Metrical Psalter", Music and Letters 49,1968

______, "Est-Barley-Ravenscroft and the English Metrical Psalter", Music and Letters 49,1968

______, Est's Psalter (1969)

______, "A Metrical Trinity: Est, Barley, Ravenscroft", Musical Times 110,1969

Ingram, R.W., "Operatic tendencies in Stuart drama", Musical Quarterly 44,1958

Ingram, W., The Business of Playing: The Beginning of the Adult Professional Theater in Elizabethan London (1992)

______, Minstrels in Elizabethan London: Who Were They, What Did They Do? [English Literary Renaissance] 14 (1984)

Irving, John

______, "Consort playing in mid-17th-Centurey, Worcester: Thomas Tomkins and the Bodleian Partbooks Mus., Sch.E.415-18", Early Music 12,1984

______, "Oxford, Christ Church MSS 1018-1020; a Valuable Source of Tomkin's Consort Music",The Consort 40,1984

______, "Keyboard Plainsong Settings by Thomas Tomkins", Soundings 13,1985

______, Instrumental music of Thomas Tomkins (1572-1656), Ph.D.(thesis), Sheffield University (1989)

______, Instrumental music of Thomas Tomkins (1572-1656) [Outstanding dissertations in music from British Universities] (1989)

______, "Thomas Tomkins's Copy of Morley's "A Plain and Easy Introduction to Practical Music", Music and Letters 71,1990

______, "Byrd and Tomkins: the instrumental music", In Byrd Studies, Brown, A.,and Turbet, R.,(eds.) (1992)

Izon, J., "Italian musicians at the Tudor Court", Musical Quarterly 44,1958







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Jacobs, E.F., "On the Promotion of English University Clerks in the Late Middle Ages", Journal of Ecclesiastical Historyy 1,1950

Jacobson, D., "Thomas Morley and the Italian Madrigal Tradition: A New Perspective", Journal of Musicology 14,1996

Jaeger, C.S., Scholars and Courtiers: Intellectuals and Society in the Medieval West (2002)

James, K.E., Concert life in eighteenth-century Bath, Ph.D.(thesis), Royal Holloway, University of London [In process]

James, Montague R., [ ], A Descriptive Catalogue of Manuscripts in the Library of Corpus Christi College, Cambridge (1895;1912)


______, "Organs and Organists in the College Accounts", Etoniana 24,1919

______, A Descriptive Catalogue of the Latin Manuscripts in the John Rylands Library at Manchester (1921)

______, The Dublin Apocalypse (1932)

______, and Millar, E.G., The Bohun Manuscripts (1936)

James, P., Early Keyboard Instruments (1941)


James, P.H., A Study of the Verse Anthem from Byrd to Tomkins, Ph.D.(thesis), University of Cardiff, (Wales) (1968)

______, "Thomas Tomkins: Sacred Music omitted from Musica Deo sacra", Soundings 2,1971

______, " Sacred Music omitted from Musica Deo sacra", In Thomas Tomkins: The Last Elizabethan (2005)

James, S.E., "Nicholas Lanier: A Greenwich Notable, Part 1: 1588-1612"Journal of the Greenwich Historical Society 1,1992

______, "Nicholas Lanier: A Greenwich Notable, Part 2: 1613-1625" [unpublished article for Journal of the Greenwich Historical Society 2,1993]

Jarrett, B., The English Dominicans (1921)

Jarvis, A., A Community **

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Jefferey, B., "Instrumentation in the Music of Anthony Holborne", Galpin Society Journal 19,1966

______, "The Lute Music of Anthony Holborne: a Lecture Recital", Proceedings of the Royal Musical Association 93,1966-67

______, Anthony Holborne [Musica Disciplina] 22 (1968)

______, Elizabethan Popular Music for the Lute (1968)

______, "The Lute Music of Robert Johnson", Early Music 2,1974

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______, Consort Music in Three Parts, ed. by A. Ashbee [Musica Britannica] 70 (1997)

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______, "Thomas Lupo Revisited - Is Key the Key to his Later Music?", Chelys 12,1983

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_____, P., [Another edition] [Yale Studies in English] 179, (1972)

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______, (ed.), Maurice Green, Phoebe: a Pastoral Opera [Musica Britannica] 82,2004

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______, The Performance of English Song, 1610-1670 (1989)

Jones, R., English Keyboard Music, 1663-1702 (1990)

Jones, S.K., Violin music in England in the late 17th century: as displayed through the life and works of Nicola Matteis-father and son, Ph.D.(thesis), University of York, [In progress]

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Jonson, Ben.[ ], The Complete Masques (1969)

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______, (ed.), English Song, 1600-1675: Facsimiles of Twenty-Six Manuscripts and an Edition of the Texts, (12 vols.,1986-89)

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______, (ed.), The Beginnings of the Modern Philosophy of Music in England: Francis North's A Philosophical Essay of Musick (1677) with Comments of Isaac Newton, Roger North and in the Philosophical Transactions (2004)

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______, The Beginnings of the Modern Philosophy of Music in England (2004)

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______, Printed Music in the British Museum (1979)

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______, Courtiers in the community: The Musicians of the Royal Household Chapel in early Tudor Westminster, In The Reign of Henry VII (1995)

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______, The English Mystics (1927)

______, The Religious Orders in England (1940;1955;2004) [2 vols.]

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______, "The King's Musick", Proceedings of the Musical Association 36th Session (1910)

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______, An Index of Musical Wind-Instrument Makers (6th ed.,1980)

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______, Professional Recorder Playing in England 1500-1740, Ph.D.(thesis), University of Iowa, (1983)

______, "The Recorder Consort at the English Court, 1540-1673", American Recorder 25,1984

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______, "The Bassanos' Maker's Mark Revised", Galpin Society Journal 45, 1993

______, The Recorder in the 17th Century:, Proceedings of the International Recorder Symposium, Utrecht 1993 (1995)

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______, Robert Woodcock. Grove Music Online (2007-2011)

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______, Coelum Britannicum (1634)

______, A Paraphrase Upon the Psalmes of David. By G.S. Set to new tunes for private Devotion (1638)

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______, Second Booke of Ayres, and Dialogues (1655)

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______, The Treasury of Musick [contributor](1669)

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______, "Music in the Elizabethan Theatre", Musical Quarterly 6,1920

______, "Early Irish Ballad Opera", Music Quarterly 1922

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______, "Historical Accuracy versus Practical Expediency: Early Instruments in the Digital Age", Early Music 41,2013

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______, "Byrd's Latin Church Music for Practical Use in the Roman Liturgy", Music&Letters 4, 1923

______, "The English Anthem 1580-1640", Proceedings of the Royal Musical Association 86,1959

______, "Towards a Definitive Study of Pre-Restoration Anglican Service Music", Musica Disciplina 14,1960

______, Treasury of of English Church Music, 1545-1650, (1965;1982)

______, Music and the Reformation in England, 1549-1660, (1967;1989)

______, " English Keyboard Fingering in the !6th and early 17th Centuries", In Source Materials and the Interpretation of Music: A Memorial Volume for Thurston Dart (1981)

______, Authenticity in Performance: Eighteenth-Century Case Studies (1990)

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______, and Irving, J., "Thomas Tomkins', In Grove 7,2001

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Leach, E.E., Machaut’s Music: New Interpretations (2003)

______, Sung Birds: Music, Nature, and Poetry in the Later Middle Ages (2007)

______, "Grammar in the Medieval Song-School", New Medieval Literatures 9,2009

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______, Guillaume de Machaut: Secretary, Poet, Musician (2011)

______, A Concordance for an Early Fourteenth-Fentury motet [Blog Article] (2011)

______, "The Unquiet thoughts of Spenser, Gaffurius, and Dowland: Recusancy and Reconciliation in Elizabethan England", [Blog Article] (2012)

______, and Clark, S., (eds.) Citation in Medieval and Renaissance Musical Culture: Learning from the Learned. In Honour of Margaret Bent’s 65th Birthday (2005)

Leach, M., The Ballad Book (1955,1975)

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______, The Age of Indigo Jones (1953)

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Leighton Jones, M., The Madrigal style of John Wilby: a comparison, through paired settings, with his contempories John Bennet, George Kirbye, and Henry Lichfild, MMus(thesis), University of Queensland, (1999)

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______, John Eccles: the Last of a Tradition, Ph.D.(thesis), University of Oxford, (1963)

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______, Provision for Music in the Parish Church in Late-Medieval London, Ph.D.(thesis), Royal Holloway College, University of London, (2000)

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______, Shakespeare's Use of Music, Vol. I (1955)

______, Shakespeare's Use of Music, Vol. II(1961)

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______, Shakespeare's Use of Music, Vol III(1971)

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______, "English Organ Music of the Renaissance", Musical Quarterly 39,1953

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Luhring, L.L., The Music of John Banister, Ph.D.(thesis), Stanford University (1966)

Lumoa, R.G., "Aspects of Mode in Sixteenth-Century Magnificats", Musical Quarterly 62,1976

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______, (ed.), Anthology of English Lute Music (1954)

______, The Sources of English lute music, 1540-1620, Ph.D.(thesis), Cambridge University (1955)

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Lyman, A.E., Peter Philips at the Catholic Court of Albert and Isabella: An Examination of music, liturgy, and public piety with a transcription of the Deliciae sacrae(1616), D.M.A.(thesis), University of Iowa [In progress]

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Lyon, M.E., Early Tudor Church Music: The Lambeth and Caius Manuscripts, [Unpublished] Ph.D.(thesis), University of California at Berkeley, (1957)





Maas, M., Seventeenth-Century English Keyboard Music: a Study of Manuscripts Res. 1185,1186 and 1186 bis of the Paris Conservatory, Ph.D.(thesis), Yale University, (1969)

______, (ed.), English Pastime Music, 1630-1660: an Anthology of Keyboard Pieces, Yale Collegium Musicum, 2nd ser. 4,1974


Mabbett, M., "Italian Musicians in Restoration England (1660-90)", Music&Letters 67,1986

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Mackay, L. The Salve Regina Settings in the Eton College Choirbook, MMus(thesis), Monash University, Melbourne, Australia, (1998)

______, Mode in the Salve Regina settings of the Eton College Choirbook, Ph.D.(thesis), Monash University, Melbourne, (2002)

MacKay, J.S., Motivic Structure and Tonal Organization in Selected Motets of William Byrd, Ph.D.(thesis), McGill University, (2000)

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MacKillop, R., The Guitar, Cittern, and Guitar in Scotland: and historical introduction up to 1800 (19??)

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Macklin, C., "Approaches to the Use of Iconography in Historical Reconstruction, and the curious use of Renaissance Welsh harp technique", Early Music 25,2007

Maclean, C., "The Dunstable Inscription in London", Sammelbände de Internationale Musik-Gesellschaft 11,1910

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Madan, F., A Summary Catalogue of Western Manuscripts in the Bodleian Library at Oxford (Vol. 4-5) (1897-1905)

Maddrell, J.E., Music and English Literature in the Middle Ages, Ph.D.(thesis), University of York, (1972)

Maguire, N.K., "The Theatrical Mask/Masque of Politics: The Case of Charles I", Journal of British Studies 28,1989

Makely, R.A., Recitation Practices in Early Anglican Church Music, 1544-1676, Ph.D.(thesis), University of California at Santa Barbara, (1975)

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Malory, R., Inside the Offertory: Aspects of Chronology and Transmission (2010)

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______, The Music in English Drama from Shakespeare to Purcell (1956)

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Manley, K.E., Cantus Firmus Treatment in Fifteenth-Century England, Ph.D.(thesis), University of Exeter [In progress]

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______, "Thomas Ravenscroft, B.Mus. (c. 1583-1633)", Musical Times 65,1924

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______, "Sir Ferdinando Heybourne alias Richardson", Musical Times 105,1974

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Marsh-Lockett, C., "Ben Jonson's Haddington Masque and The Masque of Queenes: Stuart England and the Notion of Order" College Language Association Journal 30,1987

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______, "Stringed Keyboard instruments in England to 1630", In Symposium of Early English Keyboards (SEEK), University of Aberdeen, 15-17 April 2005

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______, "Further Light on Preston and Whyte", Musical Times 105,1974

______, "John Sadler and Oxford, Bodleian MSS Mus. e. 1-15", Music and Letters 60,1979

______, "Oxford, Christ Church Music Mss 984-8: an Index and Commentary", Research Chronicle 20,1986-87

Martens, F.H., "The Musical Observations of a Moroccan Ambassador (1690-1691)", Musical Quarterly 15,1929

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Matthews, A.G., Walker Revisited: being a revision of John Walker's 'Sufferings of the Clergy during the Grand Rebellion', 1642-1600

Matthews, B., The Organs and Organists of Exeter Cathedral (1965)

______, The Organs and Organists of Salisbury Cathedral (1966)

______, The Organs and Organists of Winchester Cathedral (1967)

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Maxwell, W.D., The First and Second Editions (English and Latin) of the Service Book Used by the English Congregation of Marian Exiles in Geneva, 1556-1559; Arranged in Parallel Columns, and Edited with Introduction and Notes Showing the Origins and Usages of the Rite, Ph.D.(thesis), University of Edinburgh, (1929)

May, Thomas, [ ], The Whole Booke of Psalms, as they are Now Sung in Churches (1688)

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Maynard, W., "Ballads, Songs and Masques in the Plays of Shakespeare", In Elizabethan Lyric Poetry and its Music (1986)

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______, "The Gittern in English Medieval Art", Galpin Society Journal 18,1965

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______, (ed.), The Rounds, Catches, and Canons of England: A Collection of Specimens of the Sixteenth, Seventeenth, Eighteenth Centuries, Adapted to Modern Use (1844;1976)


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______, The Pianoforte (1860)

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______, "John Mason: A Clarification", Musical Times 113,1972

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______, Roxburghe Ballads, (1869-99)[8 vols.]

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______, (ed.), English Music of the Thirteenth and Fourteenth Centuries, Polyphonic Music in the Fourteenth 14 (1979)


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______, The Puritans and Music in England and New England (1934)

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_____, "The Performance of the Old Hall Descant Settings", Musical Quarterly 56,1970

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Shay, R.S., Henry Purcell and "Ancient" Music in Restoration England, Ph.D.(thesis), University of North Carolina at Chapel Hill, (1991)

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______, "Princes, Ambassadors and Lost Choirbooks of Early Tudor England " Early Music 40,2012

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______, "The Gentlemen and Children of the Chapel Royal of Elizabeth I: an Annotated Register",Royal Musical Association Research Chronicle 5,1965

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______, A Bibliography of the Musical Works published by John Walsh during the years 1695-1720 (1948)

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______, (ed.), The M.L. Lute Book, c.1610-40, London, [British Library, Additional MS 38539], Generally Known as John Sturt's Lute Book Reproduced Four-fifths Original Size (1985)

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______, "Lanier in Italy", Music and Letters 40,1959

______, (ed.), Robert Johnson: Ayres, Songs and Dialogues, English Lute-Songs Ser. II, 17,1961

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______, (ed.), Blackwell History of Music in Britain, 1988-92

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______,"Purcell's Music for The Libertine", Music & Letters, 81,2000

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______, "On an Early Sixteenth Century MS. of English Music in the Library of Eton College", Archaeologia 56,1898

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______, Catalogue of Printed Music in the Library of the Royal College of Music, London (1909)

______, Catalogue of Printed Music between 1487 and 1800 and now in the British Museum (1912)[2 vols.]

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______, An Anthology of Early English Organ Music, Vol. 2, Ph.D.(thesis), Cambridge University, (1958)

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______, "Lasso's Music for Shakespeare's Samingo", Shakespeare Quarterly 9, 1958

______, Music in Shakespearean Tragedy (1963)

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______, The Whole Booke of Psalmes, Collected into Englishe Metre by Thomas Sternhold, Iohn Hopkins and Others, Conferred with the Ebrue, with apt Notes to sing them withall (1572); [STC 2442]


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______, "Pre-Reformation Organ music in England ", Proceedings of the Royal Musical Association 78,1951

______, Medieval Carols [Musica Britannica] 4, (1952)

______, "The Keyboard music of Thomas Tallis", Musical Times 93,1952

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______, Thomas Tomkins (1957)

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______, (ed.), Music at the Court of Henry VIII, [Musica Britannica] 18 (1962)

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______, Music and Poetry in the Early Tudor Court (1979)

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______, Early Tudor Songbooks, [Unpublished] Ph.D.(thesis), Cambridge University, (1952

______, "Rounds and Canons from an Early Tudor Songbook", Music and Letters 32,1951

______, Music and Poetry in the Early Tudor Court(1961)

Stevenson, R., "John Marbeck's "Noted Booke" of 1550", Musical Quarterly 37,1951

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______, Thomas Morley's 'Plaine and Easie' Introduction to the Modes, [Musica Disciplina] 6,1952

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______, An Early Music Dictionary: Musician Terms from British Sources 1500-1740 (1995)

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______, "English Fourteenth-Century Polyphonic Music: An Inventory of the Extant Manuscript Sources", Journal of Musicology 8,1990

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______, The Organs of Saint Paul's Cathedral (1931)

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______, Laudate Dominum; edited by Alan Brown [Tudor Church Music] 129 (1991)

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______, The Lamentations of Jeremiah : S.A.A.T.B.; edited by Philip Brett [Tudor Church Music] 47b,1995

Tam, G.T., The Penitential Theology of Henry Purcell as Expressed in his Sacred Songs, Ph.D.(thesis), UC Los Angeles, CA (2005)

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Taylor, R. A-M., Musicians in the Elizabethan and Jacobean Cultures of Surveillance, 1570-1612: Patronage re-defined, Ph.D.(thesis), McGill University [In progress]


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Terry, R.R., A Medieval Carol Book (1932)

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______, Tudor Music: A Research and Information Guide (1994)

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______, " A Moment of enthusiastic industry", Further Light on Tudor Church music", Music and Letters 81,2000

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Weigand, ?, "The Cittern Repertoire", Early Music 1,1973

Welch, C.E., Two Cathedral Organists: Thomas Weelkes (1601-1623) and Thomas Kelway (1720-1744) (1957)

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Wells, R.H., "Ars amatoria: Philip Rosseter and the Tudor court lyric", Music and Letters 70,1989

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______, The Court Masque: A study in the Relationship Between Poetry and the Revels (1962)

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" ",

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* Currently under revision [Ed. Note: These bibliographic citations are being offered for reference purposes only. Please double check all citations for full entries, and dates before using for research papers, or for possible publication. ExLibris.org uses a non-standardized bibliographic format which may not be compatible with certain software programs. Information Officer: 2014.]